The Ultimate Yes: 35th Anniversary Collection is a triple compilation album by progressive rock band Yes, was released in 2003 in the United Kingdom and in early 2004 in the United States, and covers the length and breadth of the band's thirty-five-year career.
After 35 years of rocking the world, pioneers of progressive rock Yes take to the stage in Boston, Massachusetts to share their memories and greatest hits. Songs was recorded in May 2004 at the Tsongas Arena in Boston, during the band's 35th Anniversary Tour. The film kicks off with a view of the stage from out over the middle of the crowd…
This new Blu-Ray edition of "Songs From Tsongas" contains a concert from YES' 35th Anniversary Tour in 2004, the last tour by the band to feature the classic line-up of Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman and Alan White. The single Blu-ray contains all the same material as the double DVD set contains the whole of the concert from the Tsongas Arena in Lowell, Massachusetts, previously spread across two discs. This epic show features tracks from across the band's career including an extensive acoustic section (tracks 11-18) and some tracks that have rarely been performed live.
På Österåker ("At Österåker") is a live album by country singer Johnny Cash released on Columbia Records in 1973, making it his 43rd overall release. The album features Cash's concert at the Österåker Prison in Sweden held on October 3, 1972. Its predecessors in concept are the more notable At San Quentin and At Folsom Prison. Unlike the aforementioned, På Österåker does not contain any of Cash's most well-known songs; it does, however, include a version of Kris Kristofferson's "Me and Bobby McGee". The majority of the songs featured in the original release would remain unique to this concert recording, though Cash would later record a studio version of "City Jail" for his 1977 album.
Not many records can be pinpointed as genuine historical turning points, but La Leyenda Del Tiempo is a bona fide before/after landmark in the flamenco world. El Camarón de la Isla, almost universally regarded as the greatest flamenco singer of all time, put aside his classic partnership with Paco de Lucía to record with different musicians and incorporate rock and jazz elements on an album often called the Sgt. Pepper's of flamenco. It was a radical, daring step by a singer in his late twenties who opened the door for a whole wave of musicians and bands who are still major figures in Spanish music. It cemented the legend of El Camarón de la Isla as a towering creative force who, much like Bob Marley in reggae, brought flamenco into the present without losing the essence of the root tradition.
.When Ritchie Blackmore departed Deep Purple in the mid-'70s and formed Rainbow (which featured Ronnie James Dio), his replacement was Tommy Bolin. To be sure, Blackmore was a darn tough act to follow, but Bolin proved himself to be a fine guitarist in his own right on Come Taste the Band, his first album with Deep Purple. But unfortunately, Bolin didn't have exceptional material to work with – decent and likable, but hardly exceptional..
I Robot is the second studio album by the English progressive rock band The Alan Parsons Project (Alan Parsons and Eric Woolfson), released by Arista Records in June 1977. It is an art rock album that draws conceptually on author Isaac Asimov's science fiction Robot trilogy, exploring philosophical themes regarding artificial intelligence. The album was re-released under Legacy Recordings as a "legacy edition" in 2013 on CD, with an extra disc with unreleased bonus tracks, mastered by Dave Donelly.
By the time they were introduced to the West by 1985's Thunder in the East album, Japan's Loudness had arguably already hit their peak. Their previous effort, Disillusion, was the fourth chart-topping release in their homeland, not to mention a critical triumph among members of the European press. But when faced with a contingency plan to conquer America, Loudness were gradually forced to alter their sound by unsuitable producers and clueless record company hacks, never coming close to translating their far-East success into Western stardom…