The band itself selected for selection and direction, the release of the coming Japan anniversary album containing only the first CD made sound source was decided! In the next February, The xx, who is dedicated to a long-awaited single tour in Japan, released the release of the remixes CD "Remixes", which the band himself selected for and directed as a fan for Japanese fans! , From the remixes that have been announced so far, the ones that the band likes in particular are recorded. Members are also remixes of "Reconsider" "Sunset" and "On Hold" that Jamie xx has worked on, remixes dealt with by famous producers such as friends Four Tet, John Tarabot and Pearson Sound are selected It is also a precious work in terms of making all songs first CD. In addition, the package has become a simple and cool appearance which treated the X logo familiar to the transparent case.
This 3CD set gathers the complete work by Luc Ferrari for films from 1960 to 1984 including electronic pieces, concrete music made in GRM and some hybrid including traditional instruments.
Although the first full consort of viols did not arrive in England until 1540, there were actually several intriguing examples of what are now called "consort" music from before that time. Of course, the homogenous viol consort became supreme, and the present program (also featuring some 2-lute arrangements) focuses on the first part of that repertory. This developed at Elizabeth's court in the 1570s & 1580s, among professional musicians, but based on relatively restrictive models. Some pieces in the present program are composed freely, heralding the next step in consort development which, along with the small output of Byrd, allowed the English consort idiom to fully flower. Of course that was followed closely by the even larger and more famous repertory of consort music by composers such as Gibbons which was eventually geared more toward amateur players.
Intellectually concentrated, emotionally intense, technically difficult, and spiritually sublime, Henry Purcell's Fantasias for the Viols are exactly the sort of music that Jordi Savall was born to play and play superbly. And with his group Hesperion XX, they play them as superbly Savall does. The depth of tone of the instruments, the brilliance of the technique, the rigor of the interpretations, the soulfulness of the understanding, and the transcendence of compassion are nonpareil and the performances achieve a level unmatched by any other.
Like the Renaissance itself, Music for the Spanish Kings begins with a strutting fanfare and ends with a melancholic sigh. Attaining his usual high standards, Jordi Savall has fashioned a poignant and varied musical portrait of the century encompassing the reigns of three Spanish kings: Alphonso I (1442-58), Ferdinand I (1458-94), and Charles V (1516-56). Montserrat Figueras' rich mezzo-soprano voice carries over half the pieces on the first disc. Her stunning vibrato imparts a troupadour's sadness to the cancions.