Xsl fo

XSL-FO Praxis: Eine Kurzeinführung von Manfred Krüger [Repost]  eBooks & eLearning

Posted by AlenMiler at March 15, 2015
XSL-FO Praxis: Eine Kurzeinführung von Manfred Krüger [Repost]

XSL-FO Praxis: Eine Kurzeinführung von Manfred Krüger
Deutsch | 13. März 2015 | ISBN: 393908462X | ASIN: B00UNNDX2G | 112 Seiten | AZW3/EPUB/PDF (conv) | 1.8 MB

Ob zur Formatierung von Online-Inhalten zur Laufzeit oder zur professionellen Layoutgestaltung von Printwerken - XSL-FO wird immer häufiger als Formatiersystem online und offline eingesetzt.

XSL-FO: Making XML Look Good in Print  eBooks & eLearning

Posted by arundhati at March 31, 2014
XSL-FO: Making XML Look Good in Print

Dave Pawson, "XSL-FO: Making XML Look Good in Print"
2002 | ISBN: 0596003552 | 284 pages | EPUB | 2,4 MB

XSL-FO – Praxisworkshop Komplexe Dokumente automatisiert layouten und ausgeben  eBooks & eLearning

Posted by ph4rr3l at Dec. 31, 2013
 XSL-FO – Praxisworkshop Komplexe Dokumente automatisiert layouten und ausgeben

XSL-FO – Praxisworkshop Komplexe Dokumente automatisiert layouten und ausgeben | 357 MB
Duration : 6 Stunden | Video: AVC (.mp4) 1280x720 25fps | Audio: AAC 44.1KHz 1ch
Genre: eLearning | Ihr(e) Trainer: Manfred Krüger | Erscheinungsdatum: 29.11.2013

XSL-FO steht für eXtensible Stylesheet Language – Formatting Objects und ist Teil des Standardkonzepts XSL, das vom World Wide Web Consortium (W3C) veröffentlicht und gepflegt wird. Dieses Video-Training behandelt die Layoutierung von XML-strukturierten Dokumenten mit XSL-FO zu gestalteten Publikationen wie etwa Bücher, Wissenschafts- und Fachpublikationen und Dokumentationen.

XSL-FO Praxis schnell + kompakt  eBooks & eLearning

Posted by tot167 at Jan. 26, 2009
XSL-FO Praxis schnell + kompakt

Manfred Krüger, Ursula Welsch, “XSL-FO Praxis schnell + kompakt”
Entwickler.Press | 2007-05-15 | ISBN: 393908462X | 112 pages | PDF | 1 MB

Definitive XSL-FO (Paperback)  eBooks & eLearning

Posted by kasias at May 22, 2007
Definitive XSL-FO (Paperback)

G. Ken Holman, "Definitive XSL-FO"
ISBN: 0131403745 | Publisher: Prentice Hall PTR | 2003-03 | Number Of Pages: 480 | 2.2 Mb | PDF

XSL FO by Dave Pawson  eBooks & eLearning

Posted by Alexpal at Jan. 23, 2007
XSL FO  by  Dave Pawson

XSL FO by Dave Pawson
Publisher: O'Reilly Media; 1 edition (August 15, 2002) | ISBN-10: 0596003552 | CHM | 0,6 Mb | 264 pages

No matter how flexible and convenient digital information has become, we haven't done away with the need to see information in print. Extensible Style Language-Formatting Objects, or XSL-FO, is a set of tools developers and web designers use to describe page printouts of their XML (including XHTML) documents. If you need to produce high quality printed material from your XML documents, then XSL-FO provides the bridge.

FO&O - FO&O (2017)  Music

Posted by Domestos at Dec. 16, 2017
FO&O - FO&O (2017)

FO&O - FO&O (2017)
MP3 CBR 320kbps | 00:42:44 | 100.97 Mb | Cover
Pop | Country: Sweden (Stockholm) | Label: Record Company TEN / Sony Music - 0886446324456

FO&O is the second studio album by Swedish boy band FO&O. It was released in Sweden by The Artist House on 12 May 2017. The album peaked at number 33 on the Swedish Albums Chart. "Gotta Thing About You" was released as the lead single from the album on 26 February 2017. The song peaked at number 7 on the Swedish Singles Chart. It took part in Melodifestivalen 2017, and qualified for the Final; it finished in 8th place. "So So Good" was released as the second single from the album on 5 May 2017.
Thomas Zehetmair, Budapest FO, Ivan Fischer - Bela Bartok: Violin Concertos Nos. 1 & 2 (1995)

Béla Bartók: Violin Concertos Nos. 1 & 2 (1995)
Thomas Zehetmair, violin; Budapest Festival Orchestra; Iván Fischer, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 245 Mb | Mp3 (CBR320) ~ 130 Mb | Scans ~ 64 Mb
Genre: Classical | Label: Berlin Classics/Edel | # 0115292 | Time: 00:56:58

Neither too nationalist nor too internationalist, this 1995 recording of Béla Bartók's two violin concertos featuring Thomas Zehetmair with Ivan Fischer leading the Budapest Festival Orchestra is just right. Austrian-born Zehetmair has a fabulous technique, a warm but focused tone, and lively sense of rhythm, all of which make him an ideal Bartók player. His interpretations are less about showing off then about digging in, and his performances are more about the music than they are about the musician. Hungarian conductor Fischer and his Hungarian orchestra are not only up for the music in a technical sense, they are also down with the music in an emotional sense, and their accompaniments ground Zehetmair's coolly flamboyant performances. Captured in white-hot sound that is almost too vivid for its own good, these performances deserve to stand among the finest ever recorded.

Giuseppina Manin - Ho visto un Fo. Vita di Dario, vera e immaginaria  eBooks & eLearning

Posted by Karabas91 at Nov. 9, 2017
Giuseppina Manin - Ho visto un Fo. Vita di Dario, vera e immaginaria

Giuseppina Manin - Ho visto un Fo. Vita di Dario, vera e immaginaria
Italian | 2017 | 155 pages | ISBN: 8823518598 | EPUB | 1,3 MB
Andras Schiff, Budapest FO, Heinz Holliger - Sandor Veress: Hommage a Paul Klee; Concerto; 6 Csardas (1998) [Repost, New Rip]

Sándor Veress: Hommage à Paul Klee;
Concerto for Piano, Strings & Percussion; 6 Csárdás (1998)
András Schiff, piano; Dénas Várjon, piano; Gábor Takács-Nagy, violin
Budapest Festival Orchestra; Heinz Holliger, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 267 Mb | Mp3 (CBR320) ~ 146 Mb | Scans ~ 132 Mb
Classical | Label: Teldec Classics | # 0630-19992-2 | Time: 01:03:22

A countryman of Bela Bartók and a sometime teacher to both György Ligeti and György Kurtág, Sándor Veress emigrated to Switzerland from what was then part of Hungary in 1949. Settling in Bern, he collected various prizes and teaching posts while working in relative obscurity on who knows how many pieces–most of which have been unavailable. This collection is made up of a pithy trio of compositions dated 1938 (Six Csárdás), 1951 (Hommage à Paul Klee), and 1952 (Concerto for Piano, Strings, and Percussion), and they show what a deftly melodic force Veress was. He's thrilled by blustery string wafts, especially in the concerto, where the percussion adds drama and immediacy. But he also favors sweetly chipper string formations, which surprise the ear during the homage to Klee, especially given the dissonances fostered early on by the twin pianos. The closing piano miniatures of Six Csárdás are counterpoint-rich gems, played with sharp precision by András Schiff.