Boss Hog returns from the wild with their most subversive record - this is the seductive soundtrack for the second coming of militant rock 'n' roll, and the groove has never been stronger. Brood X - emerging from the dirty streets of New York City after seventeen years of gestation - is a futuristic brew of 21st Century blues, toxic punk rock beat music, and hyper-focused, outer-space psycho assaults. Thermonuclear chanteuse Cristina Martinez blisters the hypocrites, the haters, the heartless, and the clueless hangers-on with a full-tilt microphone attack. A sex-bomb salvo for troubled times, Martinez gives voice to America's pain while pulling no punches. This band does not negotiate. This is scorched earth rock'n'roll for the resistance, barbed-wire blues battling for the future of the planet. Recorded and mixed at the fabled Key Club, using Sly Stone's legendary There's A Riot Goin' On console, the album channels the subversive mojo of the underground and brings next-level sonics to save your very soul.
Random Access Memories is the fourth studio album by French electronic music duo Daft Punk, released on 17 May 2013 by the duo's imprint Daft Life and Columbia Records. The album pays tribute to the late 1970s and early 1980s American music, particularly from Los Angeles. Unlike their previous albums, Daft Punk recruited session musicians to perform live instrumentation and limited the use of electronic instruments to drum machines, a custom-built modular synthesizer, and vintage vocoders. The album features collaborations with Giorgio Moroder, Panda Bear, Julian Casablancas, Todd Edwards, DJ Falcon, Chilly Gonzales, Nile Rodgers, Paul Williams and Pharrell Williams. It is the first Daft Punk album released by Columbia Records. The Japan-exclusive bonus track "Horizon", written by Bangalter and de Homem Christo, is a slow-tempo composition reminiscent of Pink Floyd. It is characterized by a consistent guitar strum while several additional instruments are progressively layered over, including a bass guitar and drums. The song is stylistically different from other tracks on the album, and is one of the few to feature no lyrics.
Lenny Kaye started the mania for collecting overlooked garage punk classics with his superlative 1972 compilation Nuggets: Original Artyfacts from the First Psychedelic Era, and more than four decades later, garage rock collectors are still pouring out collections of rare vinyl singles documenting snarky teens bashing out rock & roll in their parents' basements or garages in the mid-'60s. One can't help but wonder if the well will ever run dry on such things, and Tim Warren, Crypt Records founder and the man behind the outstanding Back from the Grave series, seems to be suggesting that vintage garage material is becoming a dwindling resource in the title of 2015's Last of the Garage Punk Unknowns, Vols. 1-2.
32 prime slabs of mid-60s USA garage punk aceness from LPs 3 & 4 with liner notes, band photos, label scans. (NOTE: This is an entirely NEW series and NONE of these tracks were on the old series “GARAGE PUNK UNKNOWNS”). Fantastic album. If you have even a remote interest in garage punk, you'll want this album. Excellent example of mid sixties garage punk. Thanks Tim Warren Crypt Records for releasing yet another solid lineup of gems.