Eric Clapton and his band toured Europe by train in 1978, and a documentary called "Eric Clapton and his Rolling Hotel" was filmed, but never released.
Laserlight's 2001 release With the Yardbirds & Jimmy Page, is another reissue that pairs early live Yardbirds recordings with the 1965 jam session credited to the Immediate All Stars (featuring Clapton, Jimmy Page, Bill Wyman, Ian Stuart, and Mick Jagger).
Clapton has now been a solo performer for so long that it is easy to forget that his formative musical years were spent working with a variety of different blues bands, including John Mayall’s Bluesbreakers, Cream, Blind Faith, and not forgetting the legendary Yardbirds. The recordings featured here are an important part of British R&B music history, chronicling the earliest recordings by Eric Clapton, who is now an international rock superstar, and The Yardbirds, one of the UK’s most important blues bands of the era.
Tired of a creeping tendency towards pop territory that was happening in his old band, the Yardbirds, Eric Clapton was after one thing alone: the blues. With John Mayall and his pool of fledgling giants he got it in spades.
Roger Waters was Pink Floyd's grand conceptualist, the driving force behind such albums as Dark Side of the Moon, Wish You Were Here, and The Wall. In the wake of Syd Barrett's departure, Waters emerged as a formidable songwriter, but it's this stretch of '70s albums – each one nearly symphonic in its reach – that established him as a distinctive, idiosyncratic voice within rock and, following his departure from Floyd in 1985, he continued to create new works in this vein (notably, 1992's Amused to Death) and capitalized on the enduring popularity of his old band by staging live revivals of Dark Side of the Moon and The Wall in their entireties…
Eric Clapton was already an acknowledged master of the electric guitar in January 1992 when he traded his signature Stratocaster for an acoustic Martin to record Unplugged. The live album captured the legendary guitarist, backed by a small band, performing acoustic versions of his own songs and several blues standards. Released later that same year, the album was an unqualified blockbuster, selling more than 19 million copies worldwide and earning six Grammy Awards, sweeping the top honors, including Record of the Year, Album of the Year and Song of the Year. Reprise Records celebrates Clapton's electrifying acoustic performances with a new 2-CD/DVD collection that includes a remastered version of the original album along with six unreleased outtakes on two CDs. The DVD features a newly restored version of the concert, as well as more than an hour of previously unseen footage from the rehearsal.
After scoring a hit with "I shot The Sheriff" ERIC CLAPTON, recorded an album with Jamaican-born ARTHUR LOUIS, who at the time was one of the few authentic reggae artists residing in the UK. One of the songs Eric Clapton recorded for Arthur's album was a reggae version of the DYLAN tune 'Knockin' On Heaven's Door'. The interpretation so much caught Eric's attention that a few months later he decided to record the same song for himself, using Arthur Louis identical arrangement, and scoring - once again - a substantial hit. Arthur Louis' album was released in Japan in 1976 but remained unavailable in Europe until now. 'Knockin' On Heaven's Door' isn't a pure reggae album. Reggae influences are evidently present but as a whole the album is a homogeneous blend of reggae, blues and R&B, probably due to Arthur's lengthy residence in New York, as well as to Clapton's "guitar-print".