Opium is Italian soundsculptor Teo Zini and with Watercolors he offers a fascinating and colorful sonic trip of elegant and highly refined ambient music. With the use of mainly software he creates rich drones and complex soundscapes often flavored with ethnic/tribal sounds and beats.
Excellent addition to any jazz music collection
Pat Metheny is one of the world's best-selling jazz musicians. He must be the one jazz guitarist whose albums are likely to appeal to lovers of symphonic prog - particularly his epics IMAGINARY DAY and THE WAY UP.
Considering the embryonic Pat Metheny Group recorded WATERCOLORS as long ago as 1977, it's remarkable that most of the characteristics of Pat's definitive style are already in place.
The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. …
Pat Metheny emerges on his second album, Watercolors, as an ECM impressionist, generally conforming to the label's overall sound while still asserting his own personality. As the title suggests, there are several mood pieces here that are suspended in the air without rhythmic underpinning, a harbinger for the new age invasion still in the future. Metheny's softly focused, asymmetrical guitar style, with echoes of apparent influences as disparate as Jim Hall, George Benson, Jerry Garcia, and various country guitarists, is quite distinctive even at this early juncture.