Walton Violin Concerto

Yehudi Menuhin - Walton: Violin Concerto, Viola Concerto, Violin Sonata (2016) [24/96]

Yehudi Menuhin - Walton: Violin Concerto, Viola Concerto, Violin Sonata (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 82:13 minutes | 1,42 GB
Studio Master, Official Digital Download | Artwork: Front cover

As a musician, as a man of ideals, and as a true world citizen, Yehudi Menuhin made an extraordinary mark on his era. The Menuhin Century commemorates the 100th anniversary of his birth on 22 April 1916.

Elgar: Cello Concerto - Walton: Violin Concerto  Music

Posted by tapaz9 at Dec. 24, 2011
Elgar: Cello Concerto - Walton: Violin Concerto

Elgar: Cello Concerto - Walton: Violin Concerto
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 297 Mb
Label: Decca - Date: 1980

Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, by which time his music had gone out of fashion with the concert-going public.
The Violin Concerto of William Walton was written in 1938–39 and reorchestrated in 1943. The concerto, about a half-hour in length, is scored for violin solo and standard orchestra (the revision pared down the percussion section from the original).
Ida Haendel, Bournemouth SO, Paavo Berglund - Benjamin Britten & William Walton: Violin Concertos (1978) Reissue 1992

Benjamin Britten & William Walton: Violin Concertos (1978) Reissue 1992
Ida Haendel (violin); Bournemouth Symphony Orchestra, conducted by Paavo Berglund

EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 152 Mb | Scans included
Genre: Classical | Label: EMI Classics | # CDM 7 64202 2 | Time: 01:02:27

Ida Haendel’s sinewy and athletic reading of the often under-rated Britten combines toughness with a cumulative dramatic impetus which is hard to resist. Berglund and the Bournemouth players respond with a terse and argumentative vigour, suitably balanced between resignation and defiant rhetoric, especially in the closing Passacaglia. The Walton Concerto, also dating from 1938-9, is played with an apposite blend of inscrutable panache, as in the irrepressibly brilliant central movement, and elsewhere, a sensuous, if occasionally over-indulgent languor. Rare lapses in the finale can be safely overlooked, in a performance of eloquence and undisputed stature.

VA - Best Violin 100 (2010)  Music

Posted by SERTiL at Oct. 10, 2017
VA - Best Violin 100 (2010)

VA - Best Violin 100
EAC Rip | FLAC (tracks)+cue, log, front cover | 465:11 min | 2.04 GB
Label: Alliance/EMI Classics | Tracks: 100 | Rls.date: 2017
Classical

New chamber compositions by Telemann are now made available through intensive research. They are presented in modern score editions focusing on the Magdeburg Sunday Concerts (Sonntagsmusiken). The arias include pieces taken from complete sacred compositions and performed in Hamburgs principal places of worship during the church year 1726-27. The Eisenach court secretary Johann Friedrich Helbig was the author of the texts for the church compositions and the arias included in them.
Gerard Lesne,  Il Seminario musicale - Vivaldi: Salve Regina, Violin concerto RV 581; Galuppi: Motets (2004)

Gérard Lesne, Il Seminario musicale - Vivaldi: Salve Regina, Violin concerto RV 581; Galuppi: Motets (2004)
EAC | FLAC | Image (Cue & Log) ~ 507 Mb | Total time: 66:34+56:29 | Scans included
Classical | Label: Virgin | # 5 62413 2 | Recorded: 1991-92

Gérard Lesne founded the Il Seminario musicale Ensemble in 1985. Since 1990, the Ensemble has been in residence at the Royaumont Foundation, where it attracts vocalists and instrumentalists who share Lesne's enthusiam for the 17th and 18th century Italian repertoire. The musicians perform on old instruments and strive to reproduce as faithfully as possible the lilt and narrative line characteristic of the baroque style as expressed in works by composers such as Monteverdi, Cavalli, Scarlatti, Vivaldi, Caldara, Pergolesi, and the others. The size of the ensemble is variable depending on the repertoire. Based on a rich and varied continuo section (theorbo, cello, basson, double bass, organ and harpsichord) supporting one or more soloists, it can be expanded with the addition of a string quartet to make a small chamber orchestra suitable for performing chamber operas. Responsibility for the Ensemble's musical direction is shared by the instrumentalists and vocalists.
James Ehnes - Mendelssohn: Violin Concerto, Octet (2010) (Repost)

James Ehnes - Mendelssohn: Violin Concerto, Octet (2010)
EAC | APE (image+.cue, log) | Covers Included | 57:31 | 278 MB
Genre: Classical | Label: ONYX | Catalog: LC 19017

The last of his orchestral compositions and one of his most enduringly popular pieces, Mendelssohn's violin concerto is as much a crowd-pleaser now as it was when premiered by Ferdinand David and the Leipzig Gewandhaus Orchestra in 1845. Its unassuming focus on melody and dynamic interaction between soloist and orchestra – rather than merely on technical feats and virtuosic showmanship – ensures its place at the heart of the violin concerto repertoire.
Tasmin Little, BBC Symphony Orchestra, Edward Gardner - Walton: Symphony No. 1 & Violin Concerto (2014) [24/96]

Tasmin Little, BBC Symphony Orchestra, Edward Gardner - Walton: Symphony No. 1 & Violin Concerto (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 76:25 minutes | 1.28 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Walton burst onto the British musical scene in his twenties, the success of works such as Façade, the Viola Concerto, and Belshazzar’s Feast establishing him in both the avant-garde and the mainstream of British composers. The obvious next step for Walton was to compose a symphony and he was duly commissioned to do so by Sir Hamilton Harty in 1932. The first complete performance of his Symphony No. 1, in 1935, was a triumph, immediately gaining the work an honoured place in British music which it has never lost. It is a highly virtuosic work with a remarkable expressive range, in turns powerful and broad, malicious, melancholic, and majestic.
Akiko Suwanai - Sibelius & Walton: Violin Concertos (2003/2012) [Official Digital Download 24/96]

Akiko Suwanai - Sibelius & Walton: Violin Concertos (2003/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 61:38 minutes | 1.21 GB
Studio Master, Official Digital Download | Artwork: Front Cover

“Suwanai’s Sibelius was as evocative as it could have been. With a rare ability to combine precision and long-bowed resonance, Suwanai is an obvious match for this serious work…hers was a performance that reached deep into the heart of the music.” (The Scotsman, October 2011)
Nicola Benedetti - Shostakovich & Glazunov: Violin Concerto (2016) [TR24][OF]

Nicola Benedetti - Shostakovich & Glazunov: Violin Concerto
Classical | FLAC (tracks) 24-bit/96 kHz | 58:57 min | 1.09 GB | Digital booklet
Label: Decca | Tracks: 08 | Rls.date: 2016

Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovichs monumental Violin Concerto (No. 1). This new recording follows Benedettis chart-topping success with Bruchs Scottish Fantasy (Homecoming, 2014) and Korngolds Violin Concerto (Silver Violin, 2012).
James Ehnes, Royal Liverpool Philharmonic Orchestra - Beethoven: Violin Concerto, Romance - Schubert: Romance (2017) [24/96]

James Ehnes, Royal Liverpool Philharmonic Orchestra - Beethoven: Violin Concerto, Romance - Schubert: Romance (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 71:17 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Beethoven’s Violin Concerto represents the supreme challenge for violinists. Far from being a virtuoso display piece, this is chamber music on a large scale, the last and greatest ‘classical’ violin concerto, giving the soloist no place to hide with a solo part that is often very exposed against sparse orchestral accompaniment. A lukewarm reception at the concerto’s premiere in 1806 led to it being forgotten until Joseph Joachim resurrected it in the 1850s and restored to its rightful position as one of the greatest and most popular concertos for the instrument. This is James Ehnes’ first recording of this concerto, and he is supported sensitively by the award winning RLPO and fellow violinist-turned-conductor, Andrew Manze. The combination of soloist, orchestra and conductor on this recording is a dream team. …