This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.
German composer Paul Hindemith wrote concertos for nearly every instrument in the orchestra. Here you get a concert for one of the most common instruments, the violin, along with two distinctively textured orchestral works, the giant Symphonic Metamorphosis of Themes by C.M. von Weber and the somewhat obscure Konzertmusik für Streichorchester und Blechbläser (Concert Music for Strings and Brass Instruments), the earliest piece on the program (it was written in 1930).