Continuing his award-winning cycle of works by Felix Mendelssohn, Sir John Eliot Gardiner leads the LSO, his Monteverdi Choir and three talented young actors from the Guildhall in a landmark performance of 'A Midsummer Night’s Dream', which was performed as part of the 400th anniversary of Shakespeare’s death. To mark the celebrations, Gardiner produced a special version of the work featuring some cuts to the original movements that, in his words, "remove all of the music relating to the Mechanicals and thus focus on the world of the fairies and the human lovers". Mendelssohn, who adored Shakespeare’s writings, composed his concert overture based on 'A Midsummer Night’s Dream' in 1827 aged 17, after having read a German translation of the play. The overture was immediately acclaimed as a masterpiece and quickly became a popular favourite throughout Europe. Years later in 1843 he was asked by the King of Prussia to provide a score for an entire production: 14 short works based on themes and moods from the original overture, with a broadly romantic sound although classical in style and structure.
This is in short a really good recording. Gerdes' handling of the opera is very good (though his tempo in the Pilgrims' Chorus theme of the Overture is almost disturbingly fast), the orchestra is well controlled and very expressive. Birgit Nilsson, one of the greatest Wagnerian sopranos of the 20th Century, sings the two principle female roles - Venus and Elisabeth; Wolfgang Windgassen, who sings the role of Tannhauser, is one of the greatest Wagnerian tenors of the century. And Dietrich Fischer-Dieskau, who sings Wolfram, is virtually undisputed as THE baritone of the century.Highly recommend this recording.
Scherchen was one of the leading conductors in the middle part of the twentieth century, especially valued for his pioneering performances of the contemporary music of his time. He was essentially self-taught as a musician and became a violist in the Blüthner Orchestra and the Berlin Philharmonic when he was 16. In 1911 he was an assistant to Arnold Schoenberg in the preparation of Pierrot Lunaire for performance.
Evencio Castellanos is one of Venezuela's best-known composers, notable not least as one of the groundwork-makers for that country's much-lauded "sistema" of music education. This album presents some of his best-known works, idiomatically and enthusiastically performed by the Orquesta Sinfonica de Venezuela under Jan Wagner. All three works are nationalistic, with plucked strings stating popular Venezuelan rhythms and melodies against various orchestral backdrops.