Europa Galante is one of several outstanding specialist period instrument ensembles that have come to prominence on the early music scene in the last decade. These specialist players explore and exploit the strength of their period instruments rather than being restricted by the weaknesses. On this release at their best I especially enjoyed their Concerto in B flat major, RV 383a with its exhilarating played opening Allegro. A plaintive violin solo in the Largo e cantabile features over a clock-like rhythm followed by the furiously paced and energetic closing Allegro. The inspiration is variable and the level of memorability is often limited. A good example of this is the Concerto in F major, RV 291 that opens with a frantic violin solo in a movement that outstays its welcome. The very short central Larghetto is a rather forgettable with a rhythmically determined closing Allegro that feels breathlessly frantic. (Michael Cookson)
"The Gramophone Database has seldom been without a decent recording of these ceaselessly fascinating concertos, though none begins to approach this new version in respect of fantasy and exuberance...this new two-CD issue has restored my faith in [Europa Galante's] ability to bring something entirely fresh and vital to oft-performed repertoire, illuminating well-trodden paths with affective articulation and eloquently voiced inflexions...immensely satisfying." -NA, Gramophone
The Academy of Ancient Music does a wonderfully and good performance playing the pieces by Vivaldi one seldom hears and they are precious and surprising heart-touching compositions in the inimicable style of the enthusiastic Antonio. Good purchase of 6 CDs!
Vivaldi augmented his reputation as The Red Priest with L'Estro Armonico , Op. 3, a collection of twelve concertos for one, two and four violins. The title of the collection encapsulates the qualities that so entranced Vivaldi's contemporaries. L Estro Armonico , which might be translated as musical rapture , reflects the vitality and freshness of Vivaldi's invention: its rhythmic energy, melodic and harmonic intensity,textural sensuousness,performative brilliance and dramatic flair.
An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem…