One of the hottest fusion rock drummers strutting the planet these days is Virgil Donati. This release showcases his enormous talents. Amazingly enough, all the spectacular, percussive energy and sonic paintings on Just Add Water are spontaneous, unrehearsed jam sessions. I have seen video of Donati going absolutely genius-insane on drums with T.J. Helmerich and Brett Garsed. He held my rapt attention. I should admit I am not a drum-fanboy but Donati is heads and high hats above the rest of most fusion drummers.
Over a year in the making, drumming legend Virgil Donati's much anticipated solo record "In This Life" is destined to set the bar for explorations in rhythm. The album was produced, written and arranged by Donati, and mixed by Alex Argento. Virgil s drumming has arguably been at the leading edge for at least a decade, and as this record displays, his compositional and orchestration skills are also coming to the fore.
This is the first live album from Planet X. All performed during the 2001 Australian tour in Melbourne, Sydney, Perth, and Adelaide.
Phil Miller is an English progressive rock/jazz guitarist who is part of the Canterbury scene. In addition to his solo work, he has played in Hatfield and the North, National Health, and Matching Mole. He has released a number of solo albums, some with his group In Cahoots.
Here the repetoire for this duo act has been adapted and arranged to take advantage of the virtuoso playing of Fred Baker, one of Europe's leading exponents of the bass and an outstanding guitarist. The duo employ a variety of guitars and styles and the music ranges from the simplicity of the acoustic guitar to the many possibilities that state-of-the-art sound processing and synthesis has made available to the modern day guitarist.
Though Les Rallizes Denudes, also known as Hadaka no Rallizes, were one of the earliest and most revolutionary Japanese psychedelic rock bands, and have existed off and on through four decades, they are also one of the most obscure, barely known even in their native country. This cult of noise terrorists shrouded themselves in mystery, seldom touring and releasing very few records, usually with no discernible label. Their sound presages the later psychedelic experimental noise of Fushitsusha, High Rise, and others in the current crop more than any other Japanese psychedelic group from the late '60s…