Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
When Steely Dan released Two Against Nature in 2000, their first album in 20 years, it was an unexpected gift, since all odds seemed against Donald Fagen and Walter Becker reteaming for nothing more than the occasional project, let alone a full album. As it turned out, the duo was able to pick up where they left off, with Two Against Nature seamlessly fitting next to Gaucho and earning the band surprise success, including a Grammy for Album of the Year, but the bigger surprise is that the reunion wasn't a one-off – they released another record, Everything Must Go, a mere three years later. Given the (relatively) short turnaround time between the two records, it comes as little surprise that Everything Must Go is a companion piece to Two Against Nature, and sounds very much like that album's laid-back, catchy jazz-funk, only with an elastic, loose feel – loose enough to have Walter Becker take the first lead vocal in Steely Dan history, in fact, which sums up the Dan's attitude in a nutshell.
Weather Report's ever-changing lineup shifts again, with the somewhat heavier funk-oriented Leon "Ndugu" Chancler dropping into the drummer's chair and Alyrio Lima taking over the percussion table. As a result, Tale Spinnin' has a weightier feel than Mysterious Traveller, while continuing the latter's explorations in Latin-spiced electric jazz/funk. Zawinul's pioneering interest in what we now call world music is more in evidence with the African percussion, wordless vocals, and sandy sound effects of "Badia," and his synthesizer sophistication is growing along with the available technology. Wayne Shorter's work on soprano sax is more animated than on the previous two albums and Alphonso Johnson puts his melodic bass more to the fore. While not quite as inventive as its two predecessors, this remains an absorbing extension of WR's mid-'70s direction.
Performances of the music of Richard Wagner will for many be associated with Ivбn Fischer's elder brother Adam who has conducted complete Ring cycles at Bayreuth & in Budapest. Those, however, who follow the concert schedules of Ivбn Fischer & his phenomenally hard working Budapest Festival Orchestra will know that they have performed the Wagner programme featured on this SACD – or variations on it - to great acclaim in many of the major European cities over the past couple of years.
Musicmagic is Return to Forever's seventh and final studio album and one of the best jazz recordings released in the fusion genre. The album contains the final line-up of the band with only founders Chick Corea and Stanley Clarke returning from the previous recordings. This 1977 release was the first Return to Forever album in five years to contain vocals, performed here by Corea's future wife Gayle Moran and the surprisingly enjoyable Stanley Clarke. This album also marked the return of original member Joe Farrell on saxophone and flute, along with several new members making up a killer five-piece horn section…