BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain – crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country – all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
After 17 albums, Australia's premier purveyors of neo-psychedelic dream pop have finally come unplugged. The Liberation Blue Acoustic Series finds the veteran four-piece laying down 14 cuts – including five new tracks – over the span of a weekend. Beginning with "The Unguarded Moment" from 1981's Of Skins and Heart, they gently burn through classics like "Metropolis" and "Under the Milky Way" with an intimacy and intensity that feel more natural than any studio album that they've released in the last ten years.
With label woes, a rotation of drummers, and Stateside disinterest, the 1990s were difficult for the Church. Tough enough that most would have expected the veteran Australian rock act – cursed in North America as a one-hit wonder for 1988's "Under the Milky Way," despite an impressive catalog that dates back to 1981 – to throw it all away by now, or at least cash in through some nostalgia tour. Not so. Instead, the quartet took to the studio for three months, jamming with one another unhindered, and then piecing together the fruits of their labor. The resulting Forget Yourself, the Church's 17th album, is a timeless, magical disc that is easily as strong as anything from their 1980s peak.
Arista dropped them but the Church soldiered on – Tim Powles fully joined in the songwriting process a number of times, while Peter Koppes guested on various cuts after his absence from Sometime Anywhere. Violinist Linda Neil also appeared along with other guests from that record, with Magician Among the Spirits being the attractive end result. If the band was still a touch fragmented, Magician shows them well on the road to becoming a fully tight unit once again, with a number of interesting diversions along the way. Sonically, things followed in the vein of Sometime to a large extent, trying out different approaches and backing, often exploring more spacious, sometimes very late-night, relaxed arrangements.
The Rolling Stones Collection was originally released in October 1984 (only 10,000 sets were pressed). This "Limited Edition Library of Original Master Recordings" transferred direct from the original 1963 to 1969 master recording tapes, includes a softcover book that reproduces The Rolling Stones original album cover graphics (front and back), a Geo-Disc cartridge alignment platter and a color, four page folded leaflet with band photo and information about the Collection…