Verdi Bonynge

Richard Bonynge, Joan Sutherland, The Elizabethan Sydney Orchestra - Verdi: Il Trovatore (2002/1983)

Richard Bonynge, Joan Sutherland, The Elizabethan Sydney Orchestra - Verdi: Il Trovatore (2002/1983)
PAL 4:3 (720x576) VBR | Italiano (LinearPCM, 2 ch) | 6.27 Gb (DVD9) | 142 min
Classical | Arthaus Musik | Sub: Italiano, English, Deutsch, Francais, Espanol

Joan Sutherland was at the height of her career when she took on the role of Leonora – arguably the most dramatic of all Verdi heroines – in 1983. Elijah Moshinsky’s production, in which he was ably supported by the Australian artist Sidney Nolans (set design), Luciana Arrighi (costumes) and Nick Chelton (lighting), was tailor-made for Sutherland, allowing Leonora to develop into a truly tragic heroine occupying the opera’s central ground. This performance at the Australian Opera, Sydney – and featuring a high quality cast under the baton of Richard Bonynge – was recorded by Australian Television on 2nd July 1983. Verdi’s powerful and passionate opera tells a tale of civil war and treachery.
Rosemary Tuck, English Chamber Orchestra & Richard Bonynge - Czerny: Piano Concerto in D Minor (2017)

Rosemary Tuck, English Chamber Orchestra & Richard Bonynge - Czerny: Piano Concerto in D Minor
Classical | WEB FLAC (tracks) & d. booklet | 79:23 min | 272 MB
Label: Naxos | Tracks: 05 | 2017

The Vienneseborn Carl Czerny, student and confidant of Beethoven and teacher of Liszt, found fame in his native city by writing a series of fashionable pieces, among which numbered fantasies and potpourris as well as a series of important pedagogic studies. His large-scale pianistic works are of great interest and include the First Piano Concerto, in D minor, which expertly balances foreboding, pastoral richness and exuberant brio, a bravura Introduzione e Rondo Brillant and a vivacious salute to Webers Euryanthe. Tuck is dazzlingly articulate and secure in the countless runs and fast passagework Czerny asks of her, wrote MusicWeb International of 8.573417. This is a world-premiere recording.

Ballet Gala - Pas de deux - LSO Richard Bonynge ( CD 1992 )  Music

Posted by jbglx at Oct. 26, 2017
Ballet Gala - Pas de deux - LSO Richard Bonynge ( CD 1992 )

Ballet Gala - Pas de deux
London Symphony Orchestra
Richard Bonynge

EAC Rip | FLAC-TRACKS+CUE+LOG | 1CD Stereo ADD | Scans | 70 Min. | 358 MB
Ballet Suite / Label : Decca
Catalogue : 433 862-2 / CD released in 1992

Carlo Maria Giulini - Verdi: Rigoletto (1980/2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 1, 2016
Carlo Maria Giulini - Verdi: Rigoletto (1980/2016) [TR24][OF]

Carlo Maria Giulini - Verdi: Rigoletto
Classical | FLAC (tracks) 24-bit/96 kHz | 119:30 min | 2.00 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 34 | 2016

The Giulini set on DG, with Cappuccilli, Cotrubas and Domingo is exceptional: searching, humane, powerfully registered… It can also be said that neither Bonynge nor Sinopoli search out the score's prevailingly dark sonorities as surely as Giulini (in his insistence on the score's dark colours and his interest in its portrayal of primary human affections.
Nino Sanzogno, Orchestra e Coro del Teatro La Fenice, Tito Gobbi - Verdi: Otello (2013/1966)

Nino Sanzogno, Orchestra e Coro del Teatro La Fenice, Tito Gobbi - Verdi: Otello (2013/1966)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | (Dolby AC3, 6 ch) | 7.29 Gb (DVD9+DVD5) | 139 (opera)+59 (bonus) min
Classical | Hardy | Sub: Italiano, English, Francais, Espanol, Deutsch

In honor of the Tito Gobbi centenary (in 2013), the Associazione Musicale Tito Gobbi has unearthed and released this Otello, performed in the courtyard of the Doge's Palace in Venice, in August 1966. While technical challenges involved in broadcasting a production back in the '60s, from a venue not designed for theater, caused occasional problems involving camera work and sound, the resulting black-and-white video is well worth having, particularly for Gobbi's brilliant Iago. Although an earlier Gobbi Iago is available from VAI, filmed in Japan in 1959 opposite Mario Del Monaco's titanic Moor, this later document finds the extraordinary baritone no less nimble physically and vocally. In fact, the vastness of the performing area and the evocative atmosphere of the Palazzo Ducale seem to draw from Gobbi a sort of ownership of the environment that is perfect for Iago, as he darts about controlling events like a sardonic puppeteer. And, as one recalls from performances at the Met six months after this one, Gobbi was able to imbue the character with a youthful, amicable persona that made Iago's vile deeds all the more chilling. This video also confirms the recollection that this role, even in late career, was one the great singing actor found vocally congenial. There is a lightness of delivery that makes Iago's Act I drinking song and Act III duet with Cassio particularly stunning. Textual and tonal colors are employed in a manner that feels inevitable rather than applied, and Iago's "Credo" might as well have been written for Gobbi, so perfectly does it suit his gifts. All in all, this is a dazzling performance.
Joan Sutherland, Luciano Pavarotti, Sherrill Milnes - Verdi: Rigoletto (1971/2014) [24bit/96kHz]

Sutherland, Pavarotti, Milnes, LSO, Richard Bonynge - Verdi: Rigoletto (1971/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 117:53 minutes | 2,19 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

For sheer vocal splendor you can't go wrong with the 1971 Decca recording featuring the virile baritone Sherrill Milnes as Rigoletto, Luciano Pavarotti in radiant voice as a stylish but slightly scene-stealing Duke, and Joan Sutherland as a Gilda who is a little too vocally resplendent to come across as innocent, but is certainly a treat to hear.
Richard Bonynge, Joan Sutherland, The Elizabethan Sydney Orchestra - Bellini: Norma (2001/1978)

Richard Bonynge, Joan Sutherland, The Elizabethan Sydney Orchestra - Bellini: Norma (2001/1978)
PAL 4:3 (720x576) VBR | Italiano (LinearPCM, 2 ch) | 7.73 Gb (DVD9) | 151 min
Classical | Arthaus Musik | Sub: English, Italiano, Deutsch, Francais, Espanol

Bellini’s Norma contains one of the most impressive and also most difficult soprano roles in the whole repertoire of opera. Few sopranos can do justice to it. The first of those who have must surely be Maria Callas, considered the outstanding interpreter of the title part. The role, along with Bellini"s opera, was interpreted in a revolutionary fashion by Joan Sutherland (born in Sydney 1926). She is the protagonist in the present recording made at the Sydney Opera House in August 1978. "La Stupenda", as Joan Sutherland was known in musical circles, ended her international career in 1990. The celebrated production by Sandro Sequi, with Fiorella Mariani"s lavish décor and costumes, concentrates entirely on the human destiny of a woman on the edge of her existence. He intelligently brings forth the priestess’ emotional world, hence showing the many facets of Norma"s character. The whole drama of events on the stage is reflected in the orchestra pit, and musical director Richard Bonynge demonstrates once again his competence for great musical theatre.
Richard Bonynge, Joan Sutherland, Teresa Berganza - Handel: Alcina [1992/1962]

Handel - Alcina (Richard Bonynge, Joan Sutherland, Teresa Berganza) [1992/1962]
Classical | DECCA 433 723-2 | TT: 211.29 | EAC (FLAC, cue, log) | Covers | 980 Mb

Joan Sutherland first sang the role of Alcina in 1957 and continued to sing it until 1983. The role allows her to display her technical agility, the breath control on long phrases and her stunning trill. It must be admitted that her diction is not clean – but what glorious singing. Teresa Berganza as Ruggiero is Sutherland's equal throughout the entire opera. Her approach is less overtly spectacular but her "Verdi prati" is an object lesson in classic vocalism. With a glorious contralto voice, Monica Sinclair attacks the role of Bradamante with gusto. The three octave scale which concludes her Act 1 aria is not stylistic, but it is exciting. In the shorter roles Mirella Freni and Graziella Sciutti are excellent. Freni was at the beginning of long and glorious career. The male roles are of less importance in this opera but they are very well sung by Luigi Alva and Ezio Flagello.
Luciano Pavarotti / Orchestra dTCdB / Bonynge - Pavarotti In Concert (1974, CD reissue 1986)

Luciano Pavarotti - Luciano Pavarotti In Concert: Bononcini, Handel, Scarlatti etc.
Orchestra del Teatro Comunale di Bologna / Richard Bonynge
EAC+LOG+CUE | FLAC: 220 MB | Full Artwork: 117 MB | 5% Recovery Info
Label/Cat#: Decca # 417 006-2 DH | Country/Year: Germany 1986, 1974
Genre: Classical | Style: Opera, Vocal

Luciano Pavarotti (12 October 1935 – 6 September 2007) was an Italian operatic tenor who also crossed over into popular music, eventually becoming one of the most commercially successful tenors of all time. He made numerous recordings of complete operas and individual arias, gaining worldwide fame for the brilliance and beauty of his tone—especially into the upper register—and eventually established himself as one of the finest tenors of the 20th century…
Verdi - Macbeth - Souliotis - Fischer-Dieskau - Gardelli (CD 1999)

Macbeth - Elena Souliotis - Dietrich Fischer-Dieskau - Luciano Pavarotti
Nicolai Ghiaurov - Lamberto Gardelli (CD 1999)

EAC Rip | FLAC-TRACKS+CUE+LOG Stereo ADD | 2 CD | Scan | 147 Min. | 688 MB
Label : Decca Grand Opera / Catalogue : 4400482DMO2 /
Opera / LP Released in 1971

Even though Macbeth is the title character of Verdi's opera, most people will choose a recording of it based on the performer of the role of Lady Macbeth. My own opinion is that Elena Souliotis is, more than any other singer I have heard in this music, just right for the part.Verdi clearly stated that he wanted a harsh, choked sound from his Lady Macbeth.