Martin Kušej’s thrilling contemporary interpretation of Verdi’s late period opera proved the perfect vehicle for the Bavarian State Opera’s dream team of Jonas Kaufmann and Anja Harteros. The imposing sets’ references to terrorism and the implosion of modern civilization bring the opera’s inherent drama to a breathtaking pinnacle. Specialist promo & marketing activity.
Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the ‘sumptuous’ setting and French online music magazine ResMusica praising director Hugo de Ana’s decision to revive the show ‘in all its splendour’. Shown here in the four-act version, Don Carlo is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast – under the powerful baton of Gianandrea Noseda – is headed by renowned Mexican tenor Ramón Vargas, and also features Ludovic Tézier, who has been hailed as ‘one of the best Verdian singers of our time’ (ResMusica).
Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairo’s new opera house, Verdi’s Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast featuring the American soprano Kristin Lewis, who exhibits “a remarkable voice, which she uses with powerful dramatic instinct” (La Stampa), and the Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris “dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence” (La Gazzetta Musicale) is first-rate. All were united in praise of Noseda: “he controls everything - orchestra, singers, chorus, dancers, acrobats – with an all-encompassing overview” (La Stampa); “he knows exactly when it’s time to linger over a timbre, a colour, an expressive chord” (Corriere della Sera).
First seen at the Royal Opera House in 2013, this staging of Verdi's rarely-performed opera Les Vêpres siciliennes – directed by Stefan Herheim and conducted by The Royal Opera’s Music Director, Verdi specialist Sir Antonio Pappano – went on to win the prestigious Olivier Award for Best New Opera Production. The Sunday Times hailed it 'the best the Verdi year in Britain has to offer,' praising the standout event of the Verdi bicentenary celebrations. 'The Royal Opera has done its favourite composer proud.'
Recorded live in April 2013 at the Royal Opera House in London, Sony Classical is proud to present Verdi: Nabucco starring the legendary Placido Domingo in his debut in the title role. Conducted by Nicola Luisotti, the release celebrates the bicentenary year of Verdi’s birth.
Opera superstars Renée Fleming and Rolando Villazón star in the sumptuous 2006 Los Angeles production of Verdi's tragic masterpiece.
"Violetta has lately become one of Fleming's signature roles, and she acted the part as compellingly as she sang it, which was warmly, with sparkling top notes and an ease with the vocal line that any singer would envy." (Los Angeles Times)
Sliding marble walls, a mosaic-like fl oor, a leafless tree centre-stage, elegant costumes – with its young cast and a superlative performance by Roberto Frontali as Simon Boccanegra, this production has all the ingredients to leave a lasting impression. The Italian baritone is a regular guest at the world’s major opera houses, including the Metropolitan Opera, La Scala Milan, the Royal Opera House Covent Garden, Zurich Opera House, the Staatsoper Berlin and Dresden’s Semperoper.
In this recording Riccardo Chailly directs Verdi’s Un ballo in maschera for the first time in his function as General Music Director of the Leipzig Oper on the 2nd of November 2005. Un ballo in maschera is as exciting as a thriller, but with a passion that can only be experienced in a Verdi opera. It stands to reason that only a man of equal passion would have the ability of bringing this spectacle to the stage adequately.