Renata Tebaldi sings Arias & Duets album for sale by Renata Tebaldi was released Feb 13, 2007 on the Decca label. Renata Tebaldi sings Arias & Duets CD music is a 5-disc set with 54 songs.
Renata Tebaldi (1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period. Among the most beloved opera singers, she has been said to have possessed one of the most beautiful voices of the 20th century which was focused primarily on the verismo roles of the lyric and dramatic repertoires.
"…This release focuses on the Spanish Court of Ferdinand and Isabella and the music is drawn from three "Cancioneros," or Spanish songbooks, from the early Renaissance era. There is an amazing range of material presented among the 31 tracks on the disc, from gentle instrumental solos to bombastic courtly dances and even some folksy-sounding secular choral pieces. Although the Dufay Collective is primarily known as an instrumental group, all of the vocalizing here is splendid, with the singing of Vivian Ellis being particularly outstanding in its ease of delivery and tasteful use of decoration. This recording comes highly recommended." 4,5/5 ~AMG
Oscar Benton is a Dutch vocalist and the founder of the Oscar Benton Blues Band in 1967. The band rose to fame in 1968 by being a runner up in the Jazz Festival, Loosdrecht, Holland. In his solo career, Oscar Benton released with his 1981 homonymous album the Bensonhurst Blues, written by Artie Kaplan & Artie Kornfeld, and produced by the EMI Records. The Bensonhurst Blues, which is considered to be Oscar Benton's best hit, was part of the soundtrack of the 1999 movie La Bûche. Earlier it was on the soundtrack of the film Pour la Peau d'un Flic, 1.979, which features Alain Delon. The earliest version of that song is that of Artie Kaplan in his 1973 album Confessions Of A Male Chauvinist Pig produced by the Hopi Records. The Italian singer Adriano Celentano, in his 2004 album C'é Sempre un Motivo, included an Italian version, named Vengo del Jazz.
In AliaVox’s release of the album Entremeses Del Siglo De Oro: Lope de Vega y su tiempo (1550-1650), which translates to “Intermission [music] of the Golden Century: Lope de Vega and his era,” we find soprano Montserrat Figueras and the group Hespèrion XX, Jordi Savall conducting, bringing us some of the finest examples of period music that I know of. The voice of Montserrat Figueras has the limpid and pure quality of a fine recorder, that is, each note is nearly as possible free from embellishment that became part and parcel of vocal training in the following centuries. The ensemble playing of Hespèrion, a group I’ve known for ten years, has never sounded better. Hats off to Jordi Savall. The music itself is akin to entre-act music written for the Elizabethan theater, most notably Shakespeare’s plays. You’ll note the similarity of the Spanish word entremeses and the English word intermission.