Subjectivity: Filmic Representation and the Spectator's Experience (European Film Studies - Key Debates) by Dominique Chateau
English | Feb. 29, 2012 | ISBN: 9089643176 | 273 Pages | PDF | 5 MB
With the rise of French and Italian New Wave cinema, the concept of subjectivity came to the forefront of film criticism and theory. The subjective camera allows for the audience to experience film in a wholly different way, manipulating or enriching viewers and forcing them to engage with film as a medium. Subjectivity advances the debate over its role in the history, philosophy, and culture of cinema.