Elite professional poker players, Phil Laak and Antonio Esdandiari, travel to New Orleans in search of high stakes underground poker games.
With 63 tracks and a total running time of just under four hours, Dust On The Nettles examines the metamorphosis that British folk underwent during the late 1960s, when the influence of psychedelia and the counterculture saw the idiom being twisted into all kinds of new and exotic shapes, as the finger-in-the-ear folk clubs of yore were inexorably drawn into a brave new world of Arts Labs, free festivals and the nascent college/university circuit.
Psychedelic-folk debut from one of the most erudite, literate minds in rock, Thomas D. Rapp (and the first of his ever-changing Swine). Although the songs here lack some cohesion, this is still a stunning piece of work, from the nightmarish sleeve art – the "Hell Panel" from Hieronymus Bosch's 15th century painting "Garden of Delights" – to the strange yet powerful songs. "Another Time," the most memorable selection, is an understated acoustic song, the first that Rapp ever penned, based on his experience in a horrific car crash where he walked away unscathed. Of similar mood is the beautiful "Ballad of an Amber Lady." "Drop Out" is a straightforward song built around a popular credo of the '60s. "Uncle John" is one of the earliest protest songs about the Vietnam War. Strangest (and funniest) of all is "(Oh Dear) Miss Morse," where Rapp adopts a Victorian persona and sounds out the Morse code spelling of F-U-C-K, accompanied by banjo and Farfisa organ.
One of the major voices in the highly political Asian improvisation movement of the 1980s and '90s, baritonist Fred Ho on this memorable CD performs everything from modernized swing and Charles Mingus-influenced ensembles to short solo baritone pieces and selections that mix together Western and Eastern instruments. He utilizes two ensembles: the 11-piece Journey Beyond the West Orchestra (which includes such instruments as the sona, erbu, and san shuen along with more conventional jazz horns and rhythm, plus occasionally the somewhat jarring Chinese soprano vocals of Cindy Zuoxin Wang) and the five-piece Afro-Asian Music Ensemble.