The Assassination Of Julius Cesar arrives on 7th April via House Of Mythology. The album has been produced by Ulver and mixed by legendary producer Martin ‘Youth’ Glover with Michael Rendall.
Themes from William Blake's The Marriage of Heaven and Hell is the fourth studio album by Norwegian experimental collective Ulver. Produced with Kristoffer Rygg, together with Knut Magne Valle and Tore Ylwizaker, it was issued on December 17, 1998 via Jester Records. It is a musical setting of William Blake's poem The Marriage of Heaven and Hell. The album blended electronics, industrial music elements, progressive metal and avant-garde rock, adding ambient passages, following Blake's plates as track indexes. Stine Grytøyr, Ihsahn, Samoth and Fenriz all feature as guest vocalists.The album received widespread acclaim from critics within both the rock/metal and alternative music press - being awarded Album of the Month in several high-profile magazines such as Terrorizer, Metal Hammer, and Rock Hard and ranked very highly in their end of year's best polls. However, the album’s transitional nature perhaps alienated many fans of the band’s first three albums - causing a backlash from the black metal scene.Controversial director of films Kids and Gummo, Harmony Korine, recently commented, alluding to The Marriage of Heaven and Hell: "There's a real lineage from a composer like Wagner to a band like Ulver."
Kscope are pleased to announce the new album from Ulver, composed and recorded with Tromsø Chamber Orchestra .The music was commissioned last year by the Tromsø Kulturhus (House of Culture) in Norway, in a cooperation with the Arctic Opera and Philharmonic Orchestra cultural institution. It was composed and first performed live by Ulver, alongside the Tromsø Chamber Orchestra on September 21 2012. The band then took the recordings back to Oslo and spent winter and spring in post-production, honing the material for its studio-equivalent.Six compositions altogether written and produced, recorded and mixed by Ulver, this time consisting of Ole Alexander Halstensgård, Kristoffer Rygg, Jørn H. Sværen and Tore Ylwizaker, with additional aid and advice from composer Martin Romberg who also arranged the music for the 21 members of Tromsø Chamber Orchestra. The album also features the extraordinary talents of contemporary composers/musicians Ole-Henrik Moe and Kari Rønnekleiv.The Norwegian masters have evolved over the past two decades to cross an astonishing body of disciplines, taking in ambient, avant-garde, electronic, psychedelic, prog and jazz influences. Now it is their electronic, atmospheric and classical sensibilities which come to the fore. In a short message to their fans – subtly alluding to the darkness of history – the band named some of their influences for Messe I.X–VI.X
House of Mythology proudly presents the new Ulver gatefold double album vinyl (also available on CD), with over 80 minutes worth of material. This album consists of multitracked and studio-enhanced live, mostly improvisational, rock and electronic soundscapes, 2/3 of which has never been heard before. The basis for ATGCLVLSSCAP arrives from recordings made at twelve different live shows that Ulver performed in February 2014 with an improvisatory approach. As Kristoffer Rygg, the prime mover of the band since its inception, puts it wryly, "The tour was to be an experiment, kind of loose and scary for a band as 'set in their ways' as us."
Terrestrials is a collaborative studio by American drone metal band Sunn O))) and Norwegian experimental music group Ulver. Produced by Stephen O'Malley and Kristoffer Rygg, it was released on February 3, 2014, via Southern Lord Records.
"Mojo Presents A Compendium Of Progressive Sounds". Given free with Mojo magazine,May,2017. Standard (album) CD case with clear tray. Ulver, Hawkwind, Public Service Broadcasting and many others.
Mojo Presents David Gilmour & Friends. Some three years ago, David Gilmour very kindly sent Mojo a cover version of The Beatles’ "Here, There And Everywhere". After a spot of cajoling he’s finally agreed to let include it on the free CD that comes with the new edition of Mojo (October 15 / #263). "I really wish I had been in The Beatles," Gilmour tells Mojo of the genesis behind his cover. "They taught me how to play guitar, I learnt everything. The bass parts, the lead, the rhythm, everything. They were fantastic." That love is manifested on the wonderful harmony-filled cover of the 1966 Revolver original recorded with his son Joe. Previously unreleased anywhere. A number of Gilmour’s closest collaborators appear on this compilation while the guitarist is featured on six of the tracks himself, including songs from Phil Manzanera, Robert Wyatt and The Pretty Things.