A Man and a Half: The Best of Wilson Pickett is a double-disc set that collects the absolute cream of Pickett's early sides with The Falcons and all the highlights of his successful alliance with the Atlantic label. With "Mustang Sally," "In the Midnight Hour," "Ninety Nine & a Half," "Hey Jude," "Land of 1000 Dances," "You're So Fine," and "634-5789" all included, this excellent compilation should be one of the cornerstones of anybody's soul collection.
The first presentation of A Man and a Woman on CD in stereo – from the original album masters housed in the MGM vaults, in both French and English versions. One of the finest soundtrack albums of the 1960s came in 1966, when Francis Lai composed much of the music for Claude Lelouch's French film A Man and a Woman (Un Homme et une Femme in French). Most European films enjoy very little publicity in the U.S., but A Man and a Woman was an exception because the soundtrack was so superb. With this classic LP, Lai and his allies (who include arrangers Maurice Vander and Ivan Julien) brought together French pop, jazz, and the Brazilian bossa nova (which Antonio Carlos Jobim, Stan Getz, and João Gilberto had popularized in the early 1960s).
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.