This is one of the beauties of the Japanese progressive rock. PAGEANT was formed in '81 by guitarplayer Ikkou Nakajima, singer/keyboard player Hiroko Nagai, bass player Nagashima and drummer Hideaki Indou. In '85 they appeared on a Japanese progrock compilation entilted "Progressive Battle" and one year later PAGEANT released their debut-album "La Mosaïque de la Rêverie", a 'classic'. The band was completed by Kazuhiro Miyatake (flute and electric guitar) and Nobuyuki Nagashima (bass) on those records. The second album "Abysmal Masquerade" appeared in '87 and two years followed by the third record entitled "The Pay for a Dreamer's Sin". On this album Hiroko Nagai and Hideaki Indou remained from the original line-up, Kazuhiro Miyatake played flute on two tracks and the band's new guitarplayer became Hiroyuki Maeno.
Judas Priest's major-label debut Sin After Sin marks their only recording with then-teenage session drummer Simon Phillips, whose technical prowess helps push the band's burgeoning aggression into overdrive. For their part, K.K. Downing and Glenn Tipton employ a great deal more of the driving, palm-muted power-chord picking that would provide the basic rhythmic foundation of all but the most extreme heavy metal from here on out. Sin After Sin finds Priest still experimenting with their range, and thus ends up as perhaps their most varied outing. Yet despite the undeniably tremendous peaks here, the overall package doesn't cohere quite as well as on Sad Wings of Destiny, simply because the heavy moments are so recognizable as the metal we know today that the detours stick out as greater interruptions of the album's flow.