The Finnish progressive rock appreciation and fan society Colossus has been making a rather good name for itself in recent years, ever since it started issuing a line of project releases back in 2000. In collaboration with the legendary French record label Musea, more than a dozen concepts have been conceived, executed and issued. The first of these projects was named "Tuonen Tytär", a double CD featuring tributes to various Finnish artists from the golden age of progressive rock. Come 2009 and the second instalment of this particular project,"Tuonen Tytär" is at hand, a massive 3 CD box set, and as customary with a Colossus project production, a large, informative booklet…
The French label Barclay Records, with which singer/songwriter Jacques Brel was associated for most of the 1960s and '70s, released a compilation of recordings of his songs in March 2004 that differs significantly from this U.S. edition. The French version of Next Brel has 15 tracks to the American 12, but that doesn't mean simply that three tracks have been deleted. In fact, there are six tracks on the French album not found on the American one: "If We Only Have Love," by Dionne Warwick; "Amsterdam," by Anne Watts; "If You Go Away," by Emiliana Torrini; "Next," by Gavin Friday & the Man Seezer; "The Desperate Ones," by Nina Simone; and "Seasons in the Sun," by Terry Jacks (a number one hit in the U.S.). But there are also three tracks on the American album not contained on the French one: "Les Flamandes," by French chanteuse Barbara; "Ne Me Quitte Pas," by Nina Simone; and "My Death," by Scott Walker. The deletions and substitutions make for less repetition of songs on the American album.
There are a few artists out there that, without trying to change the world, succeeded in accomodating the old recipes to the present day. In the domain of Progressive rock, The Flower Kings is the perfect example. Following a path not unsimilar to Spock's Beard's, the swedish band led by guitarist Roine Stolt achieved to leave its mark in the middle of the Nineties, accompanying the rebirth of Progressive rock. It remains on top of the genre nowadays. It is no surprise then if, after having paid tribute to most of the giants of the Golden Seventies, the artists of today tend to care about that second generation as well. That's how the Musea label and the Colossus fanzine created an album in four CDs, tailor-made for the excellency of The Flower Kings: "A Flower Full Of Stars - A Tribute To The Flower Kings".
C’est à une véritable leçon de jazz que nus convie Antoine Hervé. Mais c’est bien plus que cela. Une sorte de déclaration d’amour à tous ses maîtres en piano jazz, au centre desquels il place Monk. Certes en s’attaquant en solo à l’œuvre de Monk (à l’exception d’un thème signé Irving Berlin et d’un thème de lui-même - Camara), Antoine Hervé prenait lors de ce concert donné en public en 1997 à la Cité de la Musique le risque de se voir comparer aux grands solos du Maître.