House of Hope is the second album by the American singer/songwriter Toni Childs, released in June 1991. It was Childs' second and final album for the A&M label. The album's title track was included in the 1991 film Thelma and Louise, and appeared on the film's soundtrack album.
Union is the debut album of the American singer/songwriter Toni Childs. Released in 1988, the album peaked at #63 in the US. Following its release, Childs was nominated for two Grammy Awards (for 'Best New Artist' and for 'Best Rock Vocal Performance (Female)' for the single "Don't Walk Away").
Most modern-day female pop singers start their careers doing their sexy, stylish dance-oriented material then settle into a career as an adult contemporary crooner. Toni Braxton didn't follow that route. She started the '90s singing elegant, refined quiet storm ballads and ended it singing sleek dance-pop tunes as she slinked around in skimpy outfits. She wasn't the only one of her peers to follow this trajectory – Mariah Carey pretty much did the same thing, only to the extreme – but it's a little odd to listen to Braxton evolve from the sophisticated urban contemporary crooner to oversexed R&B thrush, even if it's not a bad thing at all. One thing that elevated Braxton above her peers is that she was a controlled, powerful singer who rarely oversang, and she had a good selection of material, much of it written or co-written by Babyface. That's why her 18-track hits collection Ultimate Toni Braxton works well even through her shifts in style – she is a confident enough performer to sell both the slow romantic ballads and material that swings harder.
For those of you that think soul music is something extinct, how wrong you are , because as you sleep soul music is still awake and very much alive. One of the Artist you may be sleeping on is Toni Green, the Essence of Soul. At 17 yrs old Toni toured with Hot Buttered Soul with the great Issac Hayes and then with the wonderful Luther Ingram. Opportunities like that on your resume normally would have you in high demand, but who can decipher the politics of the music world.