Starting a new job is always stressful (especially when you don't particularly want one), but when Paul Carpenter arrives at the office of J. W. Wells he has no idea what trouble lies in store. Because he is about to discover that the apparently respectable establishment now paying his salary is in fact a front for a deeply sinister organisation that has a mighty peculiar agenda. It seems that half the time his bosses are away with the fairies. But they're not, of course. They're away with the goblins. Mister Tom Holt, Master of the Comic Fantasy Novel, cordially invites you to join him in his world of madness by reading his next hilarious masterpiece.
In 1972, one of Jamaica's most popular and successful singers, John Holt, teamed up with British-born record producer, Tony Ashfield to create a style of reggae aimed at appealing to music listeners of all ages and colours throughout the world. By combining Jamaican rhythms with sophisticated western arrangements, the pair succeeded in their aim, producing an album that exceeded all expectations. ‘The Further You Look’ set the standard for what later became widely known as ‘pop reggae’ and quickly became a must-have album for a broad spectrum of record buyers, selling in vast numbers amongst both black and white communities.
In a note accompanying this new Winterreise with Jan Van Elsacker, the fortepianist and musicologist Tom Beghin asks what yet another new recording of Schubert’s great song-cycle might offer. The answer, in the first instance, is the instrument Beghin plays, a newly restored Gottlieb Hafner from Vienna c1830, whose five pedals – and attendant effects – Beghin is unafraid to employ.
On Raisinn' the Roof, the Tom Principato Band is joined by long-time DC-area favorite Tommy Lepson, who contributes his soulful Hammond B3 organ playing and vocals, as well as several other special guests. The new album showcases nine songs (including 6 originals) that demonstrate the breadth of Tom’s musical influences ranging from blues, jazz and rock, to funk, reggae and New Orleans sounds.The three covers include a jazzy workout of Jimmy Smith’s “8 Counts for Rita,” a cooking take on J.J. Cale’s “Lies,” and a new version of Louis Jordan’s “Fish Fry” that brings on the funk and Jamaican flavors to this R&B classic, a long-time staple of the band’s live shows.