Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince here to be his wife. She is a bit reluctant, so he ties her up… Will this approach endear him to her?
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She is a bit reluctant, so he ties her up. Will this approach endear him to her?
Pedro Almodóvar’s colorful and controversial tribute to the pleasures and perils of Stockholm syndrome, Tie Me Up! Tie Me Down! is a rambunctious dark comedy starring Antonio Banderas as an unbalanced but alluring ex-mental-patient and Victoria Abril as the B-movie and former porn star he takes prisoner in the hopes of convincing her to marry him. A highly unconventional romance that came on the spike heels of Almodóvar’s international sensation Women on the Verge of a Nervous Breakdown, this is a splashy, sexy central work in the career of one of the world’s most beloved and provocative auteurs, radiantly shot by the director’s great cinematographer, José Luis Alcaine.
This was one of Mtume's '80s "sophisti-funk" projects, with a mix of socially conscious lyrics, love songs, and uptempo cuts, plus collective vocals and sparing production and arrangements. The title cut was a huge R&B hit, peaking at number two and even generating some crossover pop action. Mtume got two other R&B smashes, one in the Top 20, and the album proved one of his best. A former jazz percussionist, Mtume moved into urban contemporary and funk in the late '70s and became one of the more successful producers and performers in both styles during the '80s. The son of the great jazz saxophonist Jimmy Heath, Mtume was a conga player and percussionist who recorded and toured with Miles Davis and was featured on albums by the Heath Brothers, Sonny Rollins, Herbie Hancock, Joe Henderson, and Freddie Hubbard.
The album box is topped of by a mammoth hardbound book featuring a 1966-1973 day-by-day chronology of Everly Brothers' recording sessions, concerts, as well as radio and television appearances by noted Everly Brothers historian, Andrew Sandoval.
Comment la servitude peut-elle être volontaire ? comment peut-on avoir le désir de se soumettre ? Comment la liberté peut-elle se nier elle-même ? Autant vouloir ne plus vouloir, ou réclamer librement de porter des chaines aux pieds… Pourtant, c’est comme ça que ça marche : telle est l’étrange et imparable leçon du discours de la servitude volontaire. …