Hyperion’s record of the month for July celebrates the (probable) 500th anniversary of the birth of England’s first superstar composer, Thomas Tallis, and welcomes the signing to the label of The Cardinall’s Musick and Andrew Carwood. In a fifteen-year history The Cardinall’s Musick has progressively built an enviable reputation for excellence. Some twenty recordings on the ASV Gaudeamus label have seen accolades from around the world, including a Gramophone Award and a Diapason d’Or, while in the concert hall and workshop the group has consistently displayed innovation and a freshness of approach, whether tackling contemporary works (many of them commissions) or sharing the fruits of years of research into the music of the English Renaissance.
The Elbphilharmonie, the “hall of wonders” (The Guardian), is undoubtedly the new landmark of Hamburg, a monumental synthesis of breath-taking architecture, a unique location and a world-class concert hall. In varying instrumentation the NDR Elbphilharmonie Orchestra under the baton of Principal Conductor Thomas Hengelbrock and several top-class soloists explores in the opening concert the possibilities of the Elbphilharmonie’s Grand Hall and ist acoustics with an exciting programme that spans across all musical eras, from the Renaissance to the present. It culminates in a brand-new commissioned work, created especially for this occasion by the most important living German composer, Wolfgang Rihm.
Aaron Thomas is really something else. I stumbled on him while trolling though the pages of eMusic recently. Thomas is a singer-songwriter with a bit of a folk like flare accompanied by emotional lyrics. Although he is a bit aloof, as he only seems to have a myspace page, if I were a record label I would be all over his nuts like a squirrel looking for acorns.