A throwback to the era of 7" vinyl singles, the Who merge modern technology with a retro aesthetic with their First Singles Box. Featuring 12 CD singles in picture sleeves, the set contains classic tracks like "My Generation," "I Can See for Miles," and "Won't Get Fooled Again," along with their accompanying B-sides…
Not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form – very much back to the basics of their early time on Atlantic Records, with a sublime focus on that unique sound that no other group like this could match.
Oranges & Lemons is the third in a series of remixed and expanded XTC classics. The album has been mixed for 5. 1 Surround Sound from the original multi track studio master tapes by Steven Wilson with input from Andy Partridge and is fully approved by XTC. The CD features a completely new stereo album mix by Steven Wilson. Blu-ray (ALL Region) features a 5. 1 Surround mix in 24bit/96khz mixed from the original multi track tapes available in LPCM and DTS HD MA. Blu-ray features the new stereo album mix in 24bit/96khz LPCM audio. Blu-ray features flat transfer of the original stereo album mix in 24bit/96khz LPCM audio, instrumental versions of all new mixes in 24bit/96khz LPCM audio features two separate sets of demo and work tape sessions showing the evolution of the album and associated recordings, one set of pre-recording rehearsals, promos and id links for radio stations and record companies and a collection of single mixes and XTC's version of Capt. Beefheart's 'Ella Guru'.
The story of the Cranberries is one of dogged survival. Debuting with a maiden release that everybody seemed to rate as a portent of great things, the band suffered not only a "difficult" second album but also an absolute stinker of a third one, as the bandmembers strove desperately – too desperately – to live up to their reputation for sensitivity and thoughtfulness, and completely lost sight of their true virtues in the process. Internecine squabbling, health problems, and general disaffection all took further toll, so much so that, as the band prepared to release its fourth album, 1999's Bury the Hatchet, many observers were shocked to learn that the band even existed any longer, let alone was capable of actually making a new record – especially one that was as good as Bury the Hatchet turned out to be. Filmed at the Paris Omnisport de Bercy on December 9, 1999, toward the end of that album's accompanying tour, Beneath the Skin captures the full 84-minute concert performance, with the band ranging and, occasionally, raging through a veritable greatest-hits collection. The 22 tracks date back to the shimmering beauty of the Everybody Else Is Doing It era, fast forward through the highlights (and there were a few) of the two albums that followed, and then climax with eight cuts from the new record, including an opening salvo of "Animal Instinct," "Loud and Clear," and "Promises" that restates Hatchet's own defiant kickoff.