The forbearers of thrash resemble a Lovecraftian brotherhood. They’re the elder gods who set everything in motion for generations to imitate, while still ruling the roost from on high. TESTAMENT stand proudly among the same vanguard that boasted “The Big 4” and beyond.
Reissue with the latest remastering. Features original cover artwork. A really nice mix of modes from keyboardist Jasper Van'T Hof – as some cuts feature the heavy electric modes we know from his MPS recordings of the 70s – but others feature a much more personal approach on acoustic piano! As with other records from the time, Jasper plays a range of keyboards here – from piano to Fender Rhodes to organ – and the group shifts a bit from track to track, depending on the mood – and features Wim Overgaauw on guitar, John Lee on bass, Zbigniew Seifert on violin, and Gerry Brown on drums. Lee and Brown kick in heavily on the jamming cuts, but lay back more on the mellower ones.
Formed eight years ago by drummer Jeff Ballard with fellow Brad Mehldau partner Larry Grenadier on bass and saxophonist Mark Turner(one of the most resourceful and independent sax newcomers of the last decade), the New York trio Fly is an exchange between equals, not a sax-led charge over a rhythm section. Though it falls into the territory sometimes dubbed "chamber-jazz", Year of the Snake is up there with Fly's best work, with its rustling fast grooves and languid horn lines, and pieces that open on almost impossibly pure high-register long tones.
Guitarist Ivan "Boogaloo Joe" Jones two albums were made in the same period (1972-73) as the Funk Inc sides and use the same production /engineering team of Ozzie Cadena and Rudy Van Gelder. Snake Rhythm Rock and Black Whip were originally released as Prestige LPs 10056 and 10072, respectively, and the band expands in size from a quintet on the first album to a septet by the second.
For a huge army of fans around the world, the classic line-up of Whitesnake which recorded albums such as 'Ready An' Willing', 'Live In The Heart Of The City' and 'Come An' Get it' was the definitive rock band of the late 70s and early 80s. There is something unique about the combination of musicians who built Whitesnake's success that cannot be replicated, and the songs that they wrote and recorded together are still incredibly popular.
This home-made and self-produced platter was issued by Roy Buchanan (guitar/vocals) after being rejected by Polydor. The artist decided to privately distribute the album on his own BIOYA label, whose initials stood for the message that Buchanan had for Polydor – B(low) I(t) O(ut) Y(our) A(ss). For obvious contractual reasons, his name wasn't even intimated on the burlap bag (no joke) that housed first pressings of the 12" platter – which was sold only at "underground" stores, head shops, and Buchanan's gigs. The music within the grooves proved to be equally as rustic and authentic as the packaging would suggest…