Wieniawski's scintillating works are played with brilliance and great musical charm here by Perlman and Sanders (piano) for the duets, and Ozawa conducting the LPO for the concertos. It is somtimes said that Perlman's playing has often been recorded too "forward", so one can hear the "between the notes" bowing sounds when he plays.
It is 13 CDs dedicated to some of the most beautiful pages of the concertos for violin and orchestra, ranging from the age 'Baroque to the Romantic period, the first half of the twentieth century, as if to emphasize the unsurpassed expressive ductility of this Polish Master, naturalized Mexican . His performances range from Bach to Bartok, Beethoven and Berg, Brahms and Lalo, from Mendelssohn to Mozart, Paganini to Ravel, Saint-Saens by Khachaturian, from Tchaikovsky to Vivaldi, and so on.
A cosmopolitan fluent in 7 languages, a humanitarian, and a violinist of extraordinary gifts, Szeryng became renowned as a musician's musician by combining a virtuoso technique with a probing discernment of the highest order.
Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.
Szeryng was much admired for his combination of technical virtuosity and tremendous musical integrity and knowledge. Szeryng was a leading representative of the golden age of violin playing, along with such artists as Jascha Heifetz and Fritz Kreisler; his playing embodied a lushness of tone with sophisticated phrasing and bold intensity rarely heard today.