This program includes some of the least known masterpieces from Ernest Bloch’s nearly 30 works for orchestra. Macbeth: Two Symphonic Interludes is an intoxicating and passionate distillation of Shakespeare’s powerful drama. In Memoriam is a brief elegy dedicated to the pianist Ada Clement, while the Three Jewish Poems were written when Bloch was mourning the death of his father. Originally conceived as a third concerto grosso, Bloch’s last Symphony, in E flat major, is at times emotionally turbulent and deeply spiritual work containing passages of harmonic acerbity.
Giovanni Battista Sammartini, son of the French oboist Alexis Saint-Martin, was most probably born in Milan on 1700 or 1701; his death certificate, dated 1775, gives his age as 74. Little is known about his childhood, but in 1774 he is already documented as being a maestro di cappella, and we know that he was active as a performer on the oboe and organ, winning admiration for the individuality of his touch on the latter instrument…
Maria Daniela Villa - Translation by David S. Tabbat
Igor Stravinsky The Complete Columbia Album Collection is an unprecedented reissue of the complete recordings of his works that Igor Stravinsky made for CBS/American Columbia, bringing together for the very first time on CD all of the mono "Stravinsky conducts Stravinsky" recordings issued in the 1940s and 1950s alongside the more familiar stereo remakes from the 1960s, as well as all the authorized performances that Stravinsky's assistant Robert Craft conducted for the label in the composer's presence, after age and infirmity had restricted his own ability to do so.
Works of Igor Stravinsky is a massive set: 22 CDs of performances of Rite of Spring, Petrouschka, L'Histoire du soldat, Symphony in E-Flat, The Rake's Progress and more under the direction of the composer, with additional performances by his disciple Robert Craft under Stravinsky's supervision, and a disc (the Sympony in E-Flat disc, actually) that includes recordings of rehearsals and Stravinsky discussing his own music.
Hans Rott was a friend of Gustav Mahler's and Hugo Wolf's in their conservatory days, and his career was to end sadly, like Wolf's, in madness probably brought on by syphilis. While traveling by rail to take up a job as a choral director, his mind gave way and he claimed that Brahms had rigged the train to explode. He never reported for work, obviously.