Collecting five CDs for about the price of three, this set of Boulez recordings is without parallel among the conductor's new-music releases. Imagine getting Boulez's celebrated single CD of Luciano Berio's Sinfonia and Eindrücke and his equally impressive single CD of Arnold Schoenberg's Pelleas und Melisande and Variations for Orchestra, bundled with four pivotal Elliott Carter works, Sir Harrison Birtwistle's electrifying …AGM…, Gérard Grisey's Modulations, Iannis Xenakis's Jalons, Hugues Dufourt's Antiphysis, and Brian Ferneyhough's Funerailles, and you have an idea how far this set stretches.
The years have seen Pierre Boulez record for CBS, Erato, EMI, and Philips, among other labels, but his most consistent and critically praised work has appeared on Deutsche Grammophon, where he has conducted the Chicago Symphony Orchestra, the Cleveland Orchestra, the Berlin Philharmonic, and his own Ensemble InterContemporain in many successful performances. These ensembles are heard on this trimline, six-CD box set of Igor Stravinsky's major works, which brings together Boulez's recordings of L'oiseau de feu, Petrushka, Le Sacre du printemps, L'histoire du Soldat, the symphonies, concertos, and other works, recorded between 1980 and 1996. As one of the leading champions of modernism, first as a composer and essayist, then as a prominent conductor, Boulez is regarded as an authority on Stravinsky's oeuvre, and it is difficult to imagine many conductors who have a better understanding of the technical and stylistic issues that affect performances. Boulez is also famous for his precision and meticulousness, which make the details stand out clearly in the rhythmically complex and texturally dense orchestral scores of the ballets, and yet seem so delicate and exact in the concertos and pieces for smaller ensembles.
…Whatever reservations one might harbor about this or that individual performance, it is unlikely that this set as a whole will be surpassed in the near future. It belongs in every serious music library, private or public.
If you are only ever going to listen to one disc of the music of Anton Webern, make it this one. It has more of his appealing orchestral music on it than any other disc. There is the Passacaglia, Op. 1 - the finale of Brahms Fourth meets the finale of Mahler's Sixth. There is the Movements (5), Op. 5 - angular, aggressive, and rapturous. There is the Pieces (6), Op. 6 - tender, mysterious, and tragic. There is his pointillistic orchestration of Bach's Ricercar a 6 voci - cool dots of color illuminating a mathematical proof. There is his affectionate orchestration of Schubert's German Dances - lightly lyrical peasant dances done with loving care. There is even his Im Sommerwind - a Romantic tone poem describing his trysts in the Austrian alps.
Since the end of the seventeenth century French composers have shown a particular skill and deftness of touch in writing for the flute. The instrument owes much of its prominence in French music of the twentieth century to the use made of it in orchestral colouring by composers such as Debussy and Ravel, as well as to a group of highly gifted players associated in one way or another with the Paris Conservatoire. They include the soloist on this recording, Patrick Gallois, a pupil of Jean-Pierre Rampal. This collection of works composed during the last sixty years ranges from Poulenc’s Sonata, marked by rhythmic vitality and a delicate vein of sentimentality, Messiaen’s Le merle noir, inspired by bird song, to Boulez’s Sonatine, which the composer himself has characterised as ‘organised delirium’.
Recorder virtuoso Erik Bosgraaf (b. 1980) was personally granted permission to arrange for recorder Boulez' (1925-2016) Dialogue de l'ombre double, originally for clarinet and electronics. ...The result is a dynamic interplay between Bosgraaf's recorder and the fascinating electronic timbres and colours. The second work on this release is a musical dialogue between Bosgraaf and electronic wizard Jorrit Tamminga (b. 1973), creating unheard-of sounds of the recorder interwoven in electronic sound tapestries.
Arnold Schoenberg is unquestionably one of the pivotal composers of the 20th century. By opening new aesthetic horizons, he played a crucial role in the development of contemporary classical music. This Sony Classical CD includes 1978 recordings of two works from Schoenberg's expressionist period: Erwartung (1909) and Pierrot Lunaire (1912). It also features an excerpt from the Gurre-Lieder: “Der Lied Der Waldtaube”.