Import pressing of this limited edition CD/DVD (PAL/Region 0) package is expanded to add approximately 40 minutes of video content, including a new Mega-Mix music video for "Kill The King", edited from past music videos and behind the scenes footage, seven previously unreleased live performances from the band's 1999 Risk tour, and a preview for the Arsenal Of Megadeth double DVD set.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A really unusual album from the mighty Hammond giant John Patton – as the set features two tenor players in the group, both of them great! The tenor's no stranger to the sublime keyboard work of Patton – but here, the great one gets help from both Fred Jackson and Harold Vick – both of whom are at their early 60s soul jazz best, able to play with a hard edge, but also some surprisingly complicated moments too – which really fits into the spirit of Patton's overall groove!
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the greatest albums ever from Blue Note tenor giant Hank Mobley – a set that really explodes in all the new directions Hank was taking in the 60s! Mobley in the 50s was already the stuff of legend – a tremendous soloist on tenor, and every bit his own man – firmly focused forward with a voice that was already tremendous – but which was turned towards a lot of new ideas with records like this!
Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears. Throughout the album, the tempos range from soft to intense to utterly surprising, making for some excellent musical culminations…
Cardboard sleeve (mini LP) reissue from Chase featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and the latest remastering. Comes with an obi reprint, a new description, and lyrics. Part of a three-album Chase Blu-spec CD cardboard sleeve reissue series featuring albums "Chase," "Ennea," and "Pure Music."
ZZ Top is an American rock band formed in 1969 in Houston, Texas. The band consists of guitarist and lead vocalist Billy Gibbons, bassist and co-lead vocalist Dusty Hill, and drummer Frank Beard. The band and its members went through several reconfigurations throughout 1969, achieving their current form when Hill replaced bassist Billy Etheridge in February 1970, shortly before the band was signed to London Records…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Although it was scheduled for release two times, Memphis to New York Spirit didn't appear until 1996, over 25 years after it was recorded. The album comprises the contents of two separate sessions – one recorded in 1970 with guitarist James "Blood" Ulmer, drummer Leroy Williams and saxophonist/flautist Marvin Cabell; the other recorded in 1969 with Cabell, Williams, and saxophonist George Coleman – that were very similiar in concept and execution.
Reissue with SHM-CD format and the latest 24bit remastering. A playfully swinging set from trombonist Tyree Glenn – working here in a nicely offbeat style that also includes a bit of vocals as well! Glenn's got a great way with the muted trombone – working the end with a wah wah approach that's certainly got its roots in trad jazz, but which also comes across here with a classy swinging 50s style – thanks to strong small combo backing from Tommy Flanagan, Charlie Potter, and Jo Jones. The album should sound hokey, but it doesn't – thanks to a richly expressive style by Glenn, one that's got more than enough soul to get past the gimmicks.
If you lived in the UK during the 1970s and 1980s, then you’re almost certainly familiar with the band Hot Chocolate, who were rarely off the UK Singles chart during the former decade and were still making regular appearances in the early part of the latter decade. These days, Hot Chocolate’s career in the US has been simplified by the media to such a degree that you’d be hard pressed to realize that “You Sexy Thing” wasn’t their only big hit. That’s why we’ve taken a look back at BOX SELECTION, a collection of the band’s eight albums on RAK Records, and shined a spotlight on some of the songs that you might’ve forgotten.