Red Noise were formed as a French anarchic outfit in late 1960s by Patrick Vian (guitar), a son of a French poet / writer / jazz musician Boris Vian. It's said they've played on stage defended in barricades in Université Sorbonne. They released one and only album "Sarcelles Lochères" in 1970 and soon were disbanded in the same year. Their indomitable spirit for rock music could be taken over by another French project named Komintern.
More than ten years after the Art of Noise left Trevor Horn's ZTT label to record on their own, original members Anne Dudley and Paul Morley reunited with Horn plus 10cc's Lol Creme to record another LP, organized around the work of French modernist composer Claude Debussy. With a guest list including John Hurt as well as Rakim, the album charts the artistic use of sampled breakbeats – pioneered by the Art of Noise themselves – with nods to '80s hip-hop plus their '90s equivalent, drum'n'bass. Though the Art of Noise doesn't sound quite as brash as they did in their '80s prime, The Seduction of Claude Debussy is an interesting showcase of what made the group great.
Discovery Records, just before its demise, did a great and wondrous thing by putting out four, count them, four Art of Noise CDs in one fell swoop. Art of Noise began in the mid-'80s and is now a touchstone to which all electronic music should be compared. While compiling their own collections, Discovery Records was able to take advantage of a excellent compendium ready for reissue. Ambient Collection had long been a jewel in many vinyl collections. These Art of Noise catalog remixes by Youth, bassist for Killing Joke, remain a classic of compositional ambient electronica. One of the themes to this ambient opus is explicitly stated in "Robinson Crusoe" and hinted at elsewhere. Art of Noise's Anne Dudley had mentioned just before the original 1990 release on a GLR Radio U.K. program that French composer Robert Mellin's main theme for "Robinson Crusoe" recalled here was one of her Top Ten favorite pop songs.