Bring It On is the debut album by English band Gomez. Gomez entered the recording studios in late 1997 to turn their demos into an album. During this time they also toured the UK with Embrace. The first single, "78 Stone Wobble" was released in March 1998 with the album following a month later. Bring It On was well received on both sides of the Atlantic with Spin calling it a "damn beautiful album" and Allmusic's Greg Prato comparing "78 Stone Wobble" to Nirvana's unplugged version of Meat Puppets' "Plateau". The album experienced a further boost in popularity when it won the 1998 Mercury Music Prize for best album, beating the favourites Massive Attack's Mezzanine and The Verve's Urban Hymns. "Get Myself Arrested" and "Whippin' Piccadilly" were later released as singles. While Gomez toured the US as the support artist for Eagle Eye Cherry, Bring It On is the only Gomez album so far not to make the US charts although the album did make the Australian album charts. "Bring It On" is also the name of a song on Gomez's following album, Liquid Skin.
This double-disc, 50-track collection of the Shadows can only be recommended to avid collectors. After breaking off with singer Cliff Richard (they were his backing band), the Shadows chalked up numerous instrumental hits in the early '60s, including "Apache," "Man of Mystery," and "Kon-Tiki." They became the British equivalent of the Ventures. While the first disc is more than satisfying, the second disc takes a quick nosedive and consists mainly of filler along the lines of "Don't Cry for Me Argentina," "Theme from The Deer Hunter," "Nights in White Satin," and "Rodrigo's Guitar Concerto de Aranjuez." With the exception of Shadows fanatics, 50 Golden Greats would have been a much better value cut in half.
This fascinating date features pianist Ahmad Jamal at the beginning of his recording career. With guitarist Ray Crawford and either Eddie Calhoun or Israel Crosby on bass, Jamal showcases a style that would be a major influence on Miles Davis' music. Jamal's use of space and dynamics was very different than the style of any other jazz pianist of the era. His versions of "Old Devil Moon," "Will You Still Be Mine?," "The Surrey with the Fringe on Top," and "A Gal in Calico" inspired Miles to record the songs in a similar fashion, and his "Billy Boy" became the basis of a performance by the Red Garland Trio. Most fascinating is Jamal's inventive interpretation of "Pavanne," for it has a section very reminiscent of "So What" (which was not "composed" by Davis until over two years later) and a melody statement that is exactly the same as John Coltrane's "Impressions."
The Shadows are easily the most popular and influential British instrumental group of all time. Their career started in the late 50's as Cliff Richard's backing band and they consistently hit the singles charts well into the 80's. Lead guitarist Hank Marvin is cited by many modern pickers as a major influence. Throughout the latter part of their career, they released many instrumental covers and interpretations of classic themes.
When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. Their landlady, a one-time Floradora girl, offers to help Miriam become refined. Successful again, Geoffrey is approached ("if only we were free") by Valentine. Miriam tells Valentine off in no uncertain terms. Geoffrey moves into his club where Valentine's husband tells him he is a fool to leave Miriam.