Sinfonia

Sarah Quigley - Sinfonia Leningrado (repost)  eBooks & eLearning

Posted by Anthias_31 at March 9, 2016
Sarah Quigley - Sinfonia Leningrado (repost)

Sarah Quigley - Sinfonia Leningrado
Italian | Neri Pozza | 2012 | ISBN: 8854508624 | * pages | EPUB | 3 MB

Magnifico romanzo che narra di un piccolo eroico gesto – il gesto di un solitario, timido direttore d’orchestra che, con l’aiuto di un violinista e di un gruppo di musicisti straziati dalla fame e dal freddo, riesce a eseguire una Sinfonia che ha avuto un’importanza enorme nella vittoriosa resistenza contro la barbarie nazista – Sinfonia Leningrado mostra come l’arte «possa avere un impatto enorme sugli eventi» (Sunday Star Times).
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.
Lanterns On The Lake - Live With Royal Northern Sinfonia (2016)

Lanterns On The Lake - Live With Royal Northern Sinfonia (2016)
dream pop, indie | 00:54:15 | Mp3, 320 kbps | 124 Mb
Label: Bella Union | Year Of Release: 2016

It’s a pointed fact that live albums are a tricky business, if not a flat-out risky one. Orchestral live albums? Urgh. Overblown and highfalutin, they’re too often the errant result of deliriously daft backstage ideas after a band enjoys their rider a little too much, too often. With thin ideas bloated by commercial success, they’re the foie gras of rock. Think Metallica, ELP, and Yes; indulgent doesn’t begin to cover it. In tight times, amidst a forensic focus on social media “reach”, streaming figures, and brand synergy, what sort of act would think that such a baroque and involved treatment of their songs would be a good idea? Step forward Lanterns On The Lake.
Sabine Meyer - Mozart: Clarinet Concerto, Sinfonia Concertante (1997)

Sabine Meyer - Mozart: Clarinet Concerto, Sinfonia Concertante (1997)
MP3 (CBR 320 kbps) | 56:15 | 135 MB
Genre: Classical | Label: EMI Classics

No timbral difference separates this midprice reissue of one of the best-loved concertos by Mozart from its previous, full-priced equivalent. There's a bit more ambience and warmth and less stridency on top. If you own the original CD, there's no need to replace it, but first-time buyers should snap up these sensitive, stylish performances in their Great Recordings of the Century guise. One of the main attractions is the extended compass and deliciously "woody" tone of Sabine Meyer's basset clarinet. The clarinetist's fleet, effortless dispatch of the Clarinet Concerto's outer movements is a delight to the ear, and her improvised (or so they seem!) flourishes fit into their environment as if Mozart had written them himself.
Royal Northern Sinfonia, Jaime Martín & Juliette Bausor - Mozart & Nielsen: Flute Concertos (2016)

Royal Northern Sinfonia, Jaime Martín & Juliette Bausor - Mozart & Nielsen: Flute Concertos (2016)
Classical | MP3 320 kbps | 55:40 | ~127 Mb
Label: Signum Records | Tracks: 07 | Rls.date: 2016

For her debut concerto recording, 2014 ECHO Rising Star Juliette Bausor performs works for flute and orchestra by Mozart and Nielsen, with Royal Northern Sinfonia and conductor, Jaime Martin. Juliette Bausor joined the London Philharmonic Orchestra in July 2016 as Principal Flute, having previously held the same position with Royal Northern Sinfonia for 11 years. She also plays Principal Flute with the London Mozart Players and is a member of the celebrated chamber group Ensemble 360. Described by John Allison in The Times as a 'rising star in the arts firmament', Juliette Bausor enjoys a growing reputation as one of the foremost flautists of her generation.
Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)

Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)
EAC | FLAC (image+.cue, log) - 396 MB | MP3 (CBR 320 kbps) - 193 MB | Covers + Digital Booklet | 79:52
Genre: Classical | Label: BIS | Catalog: 1754

The Australian Chamber Orchestra and its enterprising leader, violinist Richard Tognetti, wade with these popular Mozart works into a field with plenty of competition, and the results, as usual with this popular group, range from good to superb. The performances are generally oriented toward historical practice; the string players use gut strings, tuned slightly below modern concert pitch, and the oboes and horns are historically appropriate instruments. In general matters of attack and phrasing, the players do not diverge too far from modern practice, and Tognetti, in his own notes (in English, German, and French), points out that even if treatises of the period laid down certain procedures in regard to these matters, the notoriously capricious Mozart might well have done something completely different.
NDR-Sinfonieorchester, Christoph Eschenbach, Midori, Nobuko Imai - Mozart: Sinfonia Concertante; Concerto K. Anh. 56 (2001)

Wolfgang Amadeus Mozart - Sinfonia Concertante; Concerto in D Major K. Anh. 56 (2001)
Midori, violin; Nobuko Imai, viola; NDR-Sinfonieorchester; Christoph Eschenbach, piano & conductor

EAC | FLAC | Tracks (Cue&Log) ~ 298 Mb (incl 5%) | Mp3 (CBR320) ~ 175 Mb (incl 5%) | Scans included
Genre: Classical | Label: Sony Classical | # SK 89488 | Time: 00:58:34

The 'Sinfonia Concertante in E-flat Major, K 364/320D' is one of those refined works that is so well written that it exudes genius. Composed for violin, viola, and orchestra the work is a conversation with the two instruments with a beautifully woven tapestry of comment for the orchestra. Violinist Midori and violist Nobuko Imai are not only well paired in technique and virtuosity, they find a compatibility of discourse that is refreshingly fine. Christoph Eschenbach conducts the Norddeutscher Rundfunk Sinfonieorchester with grace and sensitive collaboration. The work is a complete success. The Philip Wilby reconstruction of the accompanying concerto for violin and piano is a fine little piece, if not in the same realm as the Sinfonia Concertante. The performance of this uneven work makes up for the inconsistencies that arise when sonatas are adapted for orchestra. Midori again focuses on her pliant, clear technique and is matched by Christoph Eschenbach's piano role as well as his conducting. It is a minor work played in a major manner.
Maria Joao Pires, Sinfonia Varsovia, Christopher Warren-Green - Frederic Chopin: Piano Concerto No.2; Nocturnes (2015)

Frédéric Chopin - Piano Concerto No.2 in F Minor, Op.21; Nocturnes (2015)
Maria João Pires, piano; Sinfonia Varsovia; Christopher Warren-Green, conductor

EAC | FLAC | Image (Cue&Log) ~ 259 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans ~ 78 Mb
Genre: Classical | Label: Narodowy Instytut Fryderyka Chopina | # NIFCCD 040 | Time: 01:15:55

This grande dame of the piano world, possessed of an extraordinarily modest, charming personality – focused on the music, devoted to deeply understanding it – has performed three times during the Chopin and His Europe Festival at the invitation of The Fryderyk Chopin Institute. The recordings on this album come from her concerts in 2010 (when she performed the Piano Concerto in F minor op. 21 with the Sinfonia Varsovia orchestra under the baton of Christopher Warren-Green) and 2014 (when she performed a recital including, among other items, the Nocturnes presented here). A presentation of – by nature – completely different interpretations, which nonetheless form an extraordinarily coherent artistic whole. Superb creations displaying the most beautiful side of pianistic art.

VA - Berio; Sinfonia & Berio/Mahler; Frühe Lieder (2016)  Music

Posted by LoveHive at Sept. 12, 2016
VA - Berio; Sinfonia & Berio/Mahler; Frühe Lieder (2016)

VA - Berio; Sinfonia & Berio/Mahler; Frühe Lieder (2016)
Classical | MP3 CBR 320 kbps | 01:01:20 | 144 MB
Label: Harmonia Mundi

"Since it was first performed in 1969, Luciano Berio's Sinfonia has become a classic, certainly the most widely known of all his works and arguably the most successful concert piece by a composer of his generation." The Guardian
Nicholas Daniel, Britten Sinfonia & James MacMillan - Vaughan Williams & James Macmillan: Oboe Concertos (2015)

Nicholas Daniel, Britten Sinfonia & James MacMillan - Vaughan Williams & James Macmillan: Oboe Concertos (2015)
Classical | EAC (FLAC, cue, log) | Artwork | 01:05:59 | 269 MB
Label: Harmonia Mundi | Catalogue No: HMU807573

Two major British oboe concertos featuring soloist Nicholas Daniel with the Britten Sinfonia. Composer James MacMillan conducts the world premiere recording of his own Concerto (dedicated to Nicholas Daniel), as well as his 2012 composition 'One' and the Britten 'Suite on English Folk Tunes: A Time There Was'. The oboist himself directs the Ralph Vaughan Williams concerto, the work with which he won the BBC Young Musician of the Year Competition at the age of 18.