BIS has previously released two discs with Malmö Symphony Orchestra performing symphonies by Gösta Nystroem (1890–1966). The cycle is completed with the present CD, which contains the first of the composer's six symphonies, Sinfonia breve, as well as the third, and perhaps most well-known, Sinfonia del mare.
The world has not yet fully discovered the riches of the impressive music libraries and archives of Portugal. They testify to the often complex trajectories followed all over Europe by a repertoire of splendid pieces, many of them showing the extent to which the Italian style had taken root in eighteenth-century Portugal. The superb mass by Pergolesi recorded here is a highly characteristic example. But the ensemble Turicum wanted to go even further in their exploration of this repertoire, accompanying the mass with performances of works by composers now totally (and unjustly) unknown, such as Antonio Gallassi and David Perez, not to mention Leonardo leo, acknowledged in his own time as a supreme master of sacred music.
Miklos Rózsa arrived in Hollywood in 1940 after study in Leipzig and a stint in Paris where Arthur Honegger encouraged him to compose music for films. In California he found a strong community of expatriate composers including Stravinsky, Schoenberg and Korngold, and some of the finest instrumental soloists then active, including Heifetz, Rubinstein and Piatigorsky.
Filmed in Vienna's Grosser Musikvereinssaal in the early 1980s, this fabled rendering of Mozart's complete violin concertos appears on DVD for the first time. Premier violinist Gidon Kremer unites with Nikolaus Harnoncourt and the Wiener Philharmoniker in a tribute to the musical genius Harnoncourt deems "the most Romantic composer of all".
This is a wonderful studio recording of one of Handel's most accomplished opera's. Unlike Christie's live recording where the voices seem too remote this production has excellent balance and faultless sound. Arleen Auger is magnificent. She is involved and passionate and has a voice of both power and beauty. Indeed, the whole cast is second to none. Where this set surpasses Christie is the warmth and immediacy of the performance."KC London" (London, England)
… are the personages in this "Christmas Cantata" written in 1712 for performance at the Vatican. The notes with the CD suggest a burden of historical and political allusions in the libretto, quite interesting in their way but utterly imperceptible to modern ears. Really, the recitativos and arias of Caldara's Vaticini di Pace sound remarkably like Handel - the same broad but expressive melodies, the same robust instrumental accompaniment, the same treatment of the voice as a thing apart from the instruments, so unlike the hard-to-sing instrument-like vocal lines of JS Bach. To listeners of 1712, of course, it would have been vice-versa, Handel who sounded like Caldara, since Caldara was fifteen years older and well established.
This is the eagerly awaited final volume in our historic series of Vaughan Williams’s Symphonies, started about twenty-five years ago by the late Richard Hickox, and recently continued by that other expert in British repertoire, Sir Andrew Davis.