'ENCORE: Movie Partners Sing Broadway' is the new album from Barbra Streisand. This Deluxe expanded edition of the album features 4 bonus tracks in addition to the 10 new Streisand duets of Broadway classics with some of the biggest stars in Hollywood. The inspired new musical pairings include Anne Hathaway, Daisy Ridley, Patrick Wilson, Hugh Jackman, Alec Baldwin, Chris Pine, Antonio Banderas, Jamie Foxx, Seth MacFarlane, and a spectacular virtual duet with Anthony Newley. This album follows 2014’s “Partners”, which debuted at # 1 on the Billboard Top 200, and received Platinum Certification. The greatest star to ever come out of Broadway, Streisand returns to her roots with 'ENCORE: Movie Partners Sing Broadway'.
One of Jerry Goldsmith’s greatest sci-fi/fantasy scores comes to CD in complete form: Twilight Zone: The Movie, the 1983 anthology film inspired by the classic Rod Serling TV series. No composer was better suited to score the big-screen Twilight Zone adaptation than Jerry Goldsmith. By the early 1980s Goldsmith was a master in every genre of film, from intimate dramas to large-scale adventures, but he was particularly noted for his landmark scores for science fiction: Planet of the Apes, Star Trek: The Motion Picture, Alien and more—including Poltergeist (1982), for Twilight Zone: The Movie producer and co-director Steven Spielberg, and the original Twilight Zone series, for which Goldsmith scored classic episodes like “The Invaders”.
It was just a matter of time before the Cinematic Orchestra received a commission for a film score, but this 2003 release actually dates from 1999. The genesis of Man With a Movie Camera lies in the selection committee of a Portuguese film festival, which asked Cinematic Orchestra to score their re-airing of Dziga Vertov's 1929 film of the same name, a silent Soviet documentary focused on a day in the life of an average worker.
In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible screen adaptation of the real Independence War that had been fought in 1877. Now, "Restul e tacere" tells us, in a loose and half-fictionalized way, the story of this movie making.
Every so often, a piece of music comes along that defines a moment in popular culture history: Johann Strauss' operetta Die Fledermaus did this in Vienna in the 1870s; Jerome Kern's Show Boat did it for Broadway musicals of the 1920s; and the Beatles' Sgt. Pepper's Lonely Hearts Club Band album served this purpose for the era of psychedelic music in the 1960s…
"Echoes of Silence" is hardly a movie at all, in the way we ordinarily use the word, and yet it is a sincere and rather effective film. Its flaws are honest ones, made for the right reasons, and there is not a false moment in it.
Like much of the other work coming out of Jonas Mekas' Filmmaker's Cooperative, it has a structure but no plot, and this is particularly infuriating to a generation raised on mass-produced potboilers. The evening I saw it, several couples walked out. Serves them right for believing those ads about "life and love in our mod world."