Beethoven reputedly wasn't Beecham's favorite composer, but you wouldn't know it from this performance; it's exceedingly well conceived, highly energetic, and has that unique Beecham sparkle to it. The fillers also are delightful. All recorded in Ascona, Switzerland in 1957.
Born into a musical Latvian family violinist Baiba Skride won First Prize at the 2010 Queen Elisabeth Competition, held annually in Belgium. Ms. Skride’s natural approach to her music making has endeared her to some of today’s most important conductors and orchestras. Following her debut at the BBC Proms with the Oslo Philharmonic and Vasily Petrenko playing the Szymanowski Concerto No. 1, The Times noted, ‘Latvian violinist Baiba Skride sailed over the orchestra with long lines of melody, silver and sweet.’ She was immediately re-invited, and at the 2014 Proms played the Stravinsky Concerto with the BBC Symphony and Ed Gardner. Baiba Skride debut recording with Orfeo of the Szymanowski Concertos and Myths was nominated for the 2015 BBC Music Magazine Awards in the Concerto section. For her Orfeo CD follow up she has recorded two Scandinavian violin concertos truly exciting, fresh and innovative – Jean Sibelius’s well-loved concerto and Carl Nielsen’s unjustly neglected companion work – with the Tampere Philharmonic and conductor Santtu-Matias Rouvali.
This double CD from EMI features the Bournemouth Symphony Orchestra conducted by their Finnish principal conductor at the time (1970s), Paavo Berglund. It doesn't have to be that a conductor originates from the same country as the composer whose works he or she is conducting, but it often happens that this combination seems to produce performances of greatest sensitivity. So it is here, as Berglund conducts 10 works by Finnish composer Jean Sibelius. The discs include quite familiar works like En Saga, one of Sibelius' first compositions when he was in his late 20s. We also have Pohjola's Daughter, The Bard and two of the four Lemminkäinen Legends, and a beautiful version of Luonnotar sung by the Finnish soprano Taru Valjakka. The rest of the discs is made up of less frequently heard pieces. We have the five-movement suite from the incidental music Sibelius wrote for Adolf Paul's play King Christian II (1898); the Spring Song (Vårsång) of 1894; the suite of incidental music from Maeterlinck's Pelleas and Melisande.
In 2007, the 50th anniversary of Sibelius’s death, BIS begins the release of a 13-volume edition of all the music that the great master ever created – from the symphonies and tone poems to chamber works and songs. As well as the published works, the edition includes rare original versions and world première recordings of works from his youth – material which to a large extent is unique to BIS. The edition – a grand total of some 65 discs – contains previously released as well as new material, in volumes of 4-6 discs sorted by genre.
The Violin Concerto is the reason you want to buy this album, but the "filler" is quite intriguing. Christian Tetzlaff plays the Concerto (Opus 47) with great intensity. If Thomas Dausgard with the Danish National Symphony Orchestra doesnt' quite match him, they don't pull him down either. The recording is wide ranging and well detailed.
‘Finland has Sibelius, Norway has Grieg and Denmark Nielsen – so what about Sweden?’ This question, often put to Swedish musicians and music-lovers, is one that has no simple answer. Wilhelm Stenhammar (1871-1927), a personal friend of both Sibelius and Nielsen, would seem to be the obvious candidate – but when his name is suggested the usual reaction is ‘Stenhammar who?’
Finland's Jean Sibelius is perhaps the most important composer associated with nationalism in music and one of the most influential in the development of the symphony and symphonic poem. But he wrote also a lot of chamber music. This 6th volume of the complete BIS-edition of his works concentrates on works for Violin and Piano.