‘Finland has Sibelius, Norway has Grieg and Denmark Nielsen – so what about Sweden?’ This question, often put to Swedish musicians and music-lovers, is one that has no simple answer. Wilhelm Stenhammar (1871-1927), a personal friend of both Sibelius and Nielsen, would seem to be the obvious candidate – but when his name is suggested the usual reaction is ‘Stenhammar who?’
Whether you are a professional producer or a first-time user, Evren Edler’s Sibelius 7 course will teach you everything you need to know to write classical, jazz, band, vocal, film, television music, and much more. Sibelius 7 is the latest generation of the world's top-selling music notation software and Professor Edler teaches from his own experience. He uses Sibelius in his daily music writing and covers program essentials as well as time-saving tips and tricks. Topics range from New Features, Entering Notes, Shortcuts, MIDI keyboard, and Exporting Songs. Professor Edler has 10+ years experience as a Los Angeles based television & film composer, producer, and performer. He also studied jazz composition in Europe, film scoring at UCLA, and bass guitar at the LA Music Academy.
For Simon Rattle, Jean Sibelius is “one of the most staggeringly original composers that there is”. And indeed, this music has a unique musical language whose many beauties are particularly succinctly conveyed in Sibelius’s seven symphonies. There is sonorous warmth as much as there is austere Nordic folklore. Moreover, there is a conceptual boldness that takes the listener on exciting musical journeys of discovery. In 2015, to celebrate the 150th anniversary of Sibelius’s birth, Simon Rattle and the Berliner Philharmoniker presented the cycle live, which was met with unanimous delight by audiences and critics alike. “The Philharmoniker show that with them and Simon Rattle, Sibelius is in excellent hands,” wrote the Berliner Zeitung, “because the orchestra has that astringency and sheer power which is so important for this kind of music.”
One of the most acclaimed musicians of his era, Toscanini was a conductor of the "old school" - aristocratic, perfectionistic and something of an autocrat on the podium. After a brief flurry of interest in Fascism in the 1910s, he rapidly became disillusioned with the movement and indeed became a personal rival of Mussolini, repeatedly antagonising him through acts of artistic defiance such as refusals to open concerts with the Fascist anthem Giovinezza.
Eventually he fled Italy for the United States, becoming the first conductor of the newly-formed NBC Symphony Orchestra, with whom he pioneered radio broadcasts and recordings that made him a household name in America until his retirement at the age of 87. He gave the premiere performances of several major works, including Barber's Adagio for Strings and the American premiere of Shostakovich's Seventh Symphony.