Luigi is engaged to Cinzia, he has a good job and his life runs quietly. But unexpectedly his cousin Sonia knocks at his door. She lived in Venezuela with her parents but they have disappeared and she came back to Italy. She is very young and beautiful and once she loved Luigi. What is he to do?
An Italian band from Perugia with a very long story, that hadn't left any recordings until recently, apart from a lonely track on a rare split promo single. L'Estate di San Martino was created in 1975 to provide the musical background to a theatre play with a sound mostly based on acoustic guitars, flute and percussion. In 1978 the group took part in the Centocittà contest, reaching the final show in Capri and winning the chance of recording the single "Il Bimbo e l'Eroe". The record was released, but only in promotional form. In the following years the line-up became stable with the addition of new musicians to enrich the sound, with use of keyboards, electric guitar and drums, and the group had an intense live activity mostly in Umbria, with shows based on concept projects, and long tracks with large instrumental parts…
Digitally re-mastered reissue of Sergio's debut album with his trio. Initially, Sergio moved from Brazil to New York to work as pianist with Antonio Carlos Jobim and Art Farmer (amongst others). He recorded this album plus a second album entitled Girl from Ipanema before forming the band that would eventually become Brasil '66. Bossa Nova York is closer to authentic Brazilian music than his later, more commercial recordings and these early sides are adored by Jazz purists. Originally recorded in New York and released in 1964.
The first Sergio Mendes LP bears few of the soft pop hallmarks of his subsequent Brasil '66 classics. Instead, Dance Moderno is a focused and straight-ahead collection of bossa nova grooves firmly in debt to the acknowledged master of the form, Antonio Carlos Jobim. Paired with a small, tight supporting unit, Mendes proves himself an inventive and intense pianist, shaped by both traditional Latin music and American jazz.
This LP gave listeners a good sampling of mid-1970s Pat Martino. The distinctive yet flexible guitarist teams up with Gil Goldstein (who sticks here to acoustic piano), the great bassist Richard Davis, and drummer Billy Hart. Martino plays more standards than usual (four out of six songs, including "Days of Wine and Roses" and "Blue Bossa"), and, of his two originals, "Three Base Hit" has the spirit and fire of bop. An excellent outing.