An invitation from Inc. 500 entrepreneur & metaphysical explorer Amish Shah to the spiritually liberated person who wants to make a bigger impact: COULD THESE DORMANT HUMAN POWERS & ANCIENT TECHNOLOGIES TURN YOU INTO A REALITY-BENDING SUPERHUMAN? Read on to discover the secrets buried in a 12,000-year-old ancient symbol: harnessed by the world's most successful people to bend time and space, master the deepest truths of the universe, & overcome monumental challenges
In East Germany in the early 1970’s Martin Zeichnete worked as a sound editor for DEFA, (Deutsche Film-Aktiengesellschaft), the state-owned film studio. Like many young East Germans of the time he would listen furtively to West German radio at night and became infatuated with the Kosmische Musik or ‘Krautrock’ epitomised by the likes of Kraftwerk, Neu! and Cluster emerging from his neighbouring country. Martin, a keen runner, hit upon the idea of using the repetitive, motorik beats of this new music as a training aid for athletes. He thought it could benefit the mind as well as the body with the pulsing, hypnotic music bringing focus. A ‘borrowed’ prototype of Andreas Pavel’s Stereobelt showed Martin the technology to provide music on the move already existed and could easily be adapted for runners.
Tomas Luis de Victoria and Josquin Desprez were not contemporaries, they lived and worked in different countries, and perhaps shared little in terms of abstract compositional style. Yet throughout Europe, generations of musicians recognized them as kindred spirits, and tablature versions of their masses and motets circulated amongst lutenists. For John Potter, this is “the secret life of the music – in historical terms its real life.” In this characteristically creative project Potter - joined by Trio Mediaeval singer Anna Maria Friman and three outstanding vihuela players - explores “what happens to music after it is composed.”