Scott d Davis

Scott D. Davis, "Solo Piano"  eBooks & eLearning

Posted by TimMa at Jan. 9, 2017
Scott D. Davis, "Solo Piano"

Scott D. Davis, "Solo Piano"
Scovis Music Productions | 2007 | ISBN: N/A | English | PDF | 132 pages | 4.6 MB

These are arrangements for solo piano.
Content: Enter Sandman (Metallica) (in E Minor and E-flat Minor)
Fade to Back (Metallica) (in E Minor and E-flat Minor)
Hotel California (Eagles) …
Scott D. Seligman, "Chinese Business Etiquette: A Guide to Protocol, Manners, and Culture in the People's Republic of China"

Scott D. Seligman, "Chinese Business Etiquette: A Guide to Protocol, Manners, and Culture in the People's Republic of China"
Grand Central Publ | 1999 | ISBN: 0446673870 | English | PDF | 304 pages | 2.6 Mb

East-West business is booming as thousands of people flock to China. The author, with 25 years of experience dealing with the Chinese, provides up-to-date advice on how to succeed, avoid gaffes, interpret behaviour and make positive impressions.

Medieval Rhetoric: A Casebook by Scott D. Troyan  eBooks & eLearning

Posted by tanas.olesya at Sept. 14, 2015
Medieval Rhetoric: A Casebook by Scott D. Troyan

Medieval Rhetoric: A Casebook by Scott D. Troyan
English | 30 Sept. 2004 | ISBN: 0415971632 | 272 Pages | PDF | 1 MB

This volume in the Routledge Medieval Casebooks series explores medieval rhetorical practices. Ten original essays examine the ways in which contemporary readers and scholars might employ rhetorical theory to illuminate underlying meanings in medieval texts.

An Atlas of Back Pain by Scott D. Haldeman [Repost]  eBooks & eLearning

Posted by tanas.olesya at Oct. 13, 2014
An Atlas of Back Pain by Scott D. Haldeman [Repost]

An Atlas of Back Pain by Scott D. Haldeman
CRC Press; 1 edition | March 27, 2002 | English | ISBN: 1842140760 | 92 pages | PDF | 34 MB

The causes of back pain, the most common of all consultations, vary enormously, therefore making accurate diagnosis especially important. Written by a team of highly regarded scientists with a vast experience of the subject, An Atlas of Back Pain not only explains how to determine the underlying causes of your patients' conditions but also describes the various treatment options available.

Scott D. Haldeman, B. Wilks, "An Atlas of Back Pain"  eBooks & eLearning

Posted by Alexpal at Feb. 2, 2006

Scott D. Haldeman, B. Wilks, "An Atlas of Back Pain"
Taylor & Francis | ISBN 1842140760 | 2002 Year | PDF | 35,34 Mb | 96 Pages

Le Grand livre de la photographie de Scott Kelby  eBooks & eLearning

Posted by ksveta6 at June 28, 2013
Le Grand livre de la photographie de Scott Kelby

Le Grand livre de la photographie de Scott Kelby
2013 | ISBN: 2744095427 | French | 500 Pages | PDF | 46 MB

Babylon A.D. - Babylon A.D. (1989)  Music

Posted by rd at May 14, 2011
Babylon A.D. - Babylon A.D. (1989)

Babylon A.D. - Babylon A.D. (1989)
EAC Rip | APE + CUE + LOG | 320 Mb | MP3 320 CBR | 130 Mb | Covers | 44:58
Genre: Hard Rock/Heavy Metal

Дебютник
Miles Davis, Sonny Rollins - The Classic Prestige Sessions 1951-1956 (2009) 2CD

Miles Davis, Sonny Rollins - The Classic Prestige Sessions 1951-1956 (2009) 2CD
EAC | FLAC | Tracks (Cue&Log) ~ 561 Mb | Mp3 (CBR320) ~ 303 Mb | Scans ~ 40 Mb | 02:11:38
Bop, Hard Bop, Cool, Modal Jazz | Label: Prestige | # 0888072314610

The Classic Prestige Sessions 1951-1956 collects all of the sides recorded by trumpeter Miles Davis and tenor saxophonist Sonny Rollins for Prestige during their time together as young players in New York City. Both musicians were just past their formative years during this period, having broken free from the heavy sway of their bop elders – especially alto saxophonist Charlie Parker, who appears here in several classic cuts originally released on Collector's Items. Both Davis and Rollins were expanding the bop mold and beginning to discover their own sound. Davis had already made his mark with the innovative West Coast jazz masterpiece Birth of the Cool and was further developing his romantic and cerebral minimalism. Similarly, Rollins was quickly becoming the heir to Parker's throne as the most searching and muscular saxophonist on the scene. The dichotomy of their sounds made Davis and Rollins a perfect rub as jazz partners and these recordings helped foreshadow and define such future jazz movements as hard bop, post-bop, and even free jazz. Included here are such stellar and classic tracks as "Dig," "Oleo," "Down," "The Serpent's Tooth," "Airegin," "Doxy," and "Vierd Blues"." Although all of these recordings are available elsewhere on the original albums, Davis and Rollins' relationship was an incredibly fertile one and it is great to have all of it compiled together.

Miles Davis - Panthalassa: The Remixes (1999) {Columbia CK 69897}  Music

Posted by ruskaval at April 14, 2018
Miles Davis - Panthalassa: The Remixes (1999) {Columbia CK 69897}

Miles Davis - Panthalassa: The Remixes (1999) {Columbia CK 69897}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 296 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 300 dpi (png) -> 27 Mb | 5% repair rar
© 1999 Columbia / Sony Music | CK 69897
Jazz / Fusion / Breakbeat / Experimental / Jungle / Trumpet

A remix album of the most influencial jazz legend Miles Davis' "Panthalassa" album (compiled by Bill Laswell) released in 1999. Panthalassa: The Remixes is the logical extension of the previous year's Panthalassa project, in which longtime aficionado Bill Laswell restructured several Miles Davis recordings in similar fashion to the original production techniques pioneered by Teo Macero on Miles albums In a Silent Way, On the Corner and Get Up with It. Here, several dance producers are brought into the fold, not just to rearrange the material but to remix it as well.
Scott Walker - Scott 1-4 (1967-1969) 4CDs, Remastered 2000 [Re-Up]

Scott Walker - Scott 1-4 (1967-1969) 4CD [Remastered 2000]
EAC | FLAC | Image (Cue&Log) ~ 1 Gb | Mp3 (CBR320) ~ 480 Mb | Scans included
AM Pop, Baroque Pop, Chanson, Pop/Rock | Label: Fontana | Time: 02:34:08

One of the most enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late '50s and early '60s in the teen idol vein. He then hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren't named Walker, they weren't brothers, and they weren't English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits in the U.S.) in a Righteous Brothers vein. As their full-throated lead singer and principal songwriter, Walker was the dominant artistic force in the group, who split in 1967. While remaining virtually unknown in his homeland, Walker launched a hugely successful solo career in Britain with a unique blend of orchestrated, almost MOR arrangements with idiosyncratic and morose lyrics. At the height of psychedelia, Walker openly looked to crooners like Sinatra, Jack Jones, and Tony Bennett for inspiration, and to Jacques Brel for much of his material. None of those balladeers, however, would have sung about the oddball subjects – prostitutes, transvestites, suicidal brooders, plagues, and Joseph Stalin – that populated Walker's songs.