This luxurious set containing 39 CDs, 3 DVDs, 1 CD-Rom and four detailed booklets will tell you the full story of Baroque opera in Italy, France, England, and Germany. No fewer than 17 complete operas (including two on DVD) and two supplementary CDs (the dawn of opera, Overtures for the Hamburg Opera) provide the most comprehensive overview of the genre ever attempted! The finest performers are assembled here under the direction of René Jacobs and William Christie to offer you 47 hours of music. An opportunity to discover or to hear again the masterpieces of Baroque opera, some of which have been unavailable on CD for many years.
He ignored every rule of traditional composition in order to achieve the effect his music should have; the number of voices changes arbitrarily, parallel octaves and fifths abound, all according to the vigorous, elemental force of his inspiration.
The legendary Italian composer Giovanni Battista Pergolesi was born 300 years ago, in 1710. To mark the anniversary, Naïve re-issues three renowned recordings to feature his choral music, in a specially-priced box set, headed by the Gramophone award-winning version of his Stabat Mater by Rinaldo Alessandrini and Concerto Italiano, considered one of the best ever recorded…
Also featured in the bargain “3 for the price of 1” set are other short pieces by Pergolesi, plus more by Alessandro Scarlatti and Leonardo Leo.
This series of Italian cantatas by three eminent contemporaries makes for refined and focused listening.
Cencic…marries virtuosity with colour. The result is singing of great reach and range, in which verbal sensitivity and bravura execution are usually put at the service of the music.
Il Martirio di Sant'Orsola was probably written and sung in Rome between 1695 and 1700. The identification of the author of the libretto and the circumstances of composition remain unknown. The handwritten score and its separate parts, preserved in the Bibliothèque Municipale de Lyon and returned here, is indeed the only European version of the work. It was copied for the Academy of Fine Arts of Lyon to which it belonged, probably by amateurs bringing back from their travels many works, as evidenced by the importance of the Italian music in the funds Lyons. The orators of Scarlatti were played from 1718 to 1731 at the Academy.
Scarlatti's cantatas are veritable opera miniatures in wich his writing for the voice, highlights the expressive powers of the various affects of love : love the pleasure-seeker, love the tyrant, love the traitor and love the combatant. Voice and instruments are unite in an inventive spirit of virtuoso rivalry, laying bare the passions of the soul.
Alessandro Scarlatti formed the bridge between the rich vocal style of the Italian Baroque masters of the 17th century and the gallant style of Mozart and his contemporaries. San Filippo Neri is grand and Oratorio in Handelian style, full of dramatic arias and striking instrumental effects. Excellent performance on authentic instruments by the specialist group Alessandro Stradella Consort, conducted by Estevan Velardi.