"La Scala di Seta" (Die seidene Leiter) ist eine von Rossinis weniger bekannteren Opern. Sie wird sehr selten von Ensemblen gespielt und wird dann auch noch beliebig verändert. Hier kann man die Liebesangelegenheiten der schönen Giulia und ihren Liebhabern in voller und unveränderter Form erleben. Luciana Serra hat einen wunderschönen Koloratursopran den sie als weibliche Hauptrolle perfekt einsetzt. Cecilia Bartoli als trottelige Cousine Lucilla ist hier noch am Anfang ihrer Karriere. Was auch an ihrer Stimme zu hören ist. Im großen Ganzen ist dies eine klasse Aufnahme. Leider kann ich ihr den 5. Stern nicht verleihen, weil es doch einen großen Punkt zu bemängeln gibt. Es handelt sich nämlich um eine Live-Aufnahme, die nicht gerade in bester Qualität gemacht wurde. Manchmal stören die Bühnengeräusche nämlich ziemlich heftig und die Stimmen wirken manchmal sehr fern…
Rossini's sparkling La scala di seta of 1812 weaves a burlesque tale of gentlemen climbing in and out of a lady's bedchamber on a silken ladder. Damiano Michieletto's modern-day production from the Rossini Festival in Pesaro sets the action in the two room apartment of the heroine Giulia, sung with 'wonderful suppleness' (Opernwelt) by Olga Peretyatko. The production also features a spectacular grand aria for Blansac (Carlo Lepore) extraneous to the work. Leading a young and spirited cast of Rossini specialists is maestro Claudio Scimone, a key figure in the international Rossini Renaissance.
These video recordings all from the Schwetzingen opera festival were recorded in the late 80s and early 90s and originally released on laser disk on the Teldec label.
An all-star cast featuring Deutsche Grammophon artist Anna Netrebko, Bryn Terfel and Anna Prohaska, delivers a sensational new recording of Mozart’s Don Giovanni, conducted by Daniel Barenboim at the start of his inaugural season as Music Director of La Scala. Recorded live at the opening of the 2011-12 La Scala season, Don Giovanni is now set to be released in time for Bryn Terfel’s 50th birthday on 9 November 2015. It also ties in with the traditional opening of the new season at La Scala – 7 December, the feast-day of St Ambrose, patron saint of Milan.
Cecilia Bartoli remains one of the world's finest Rossini singers and she proves it again with Il Turco in Italia, her 1st complete Rossini recording since 1993. The performance was recorded in Milan, with the power of the La Scala Orchestra & Chorus and the best Rossini an cast possible, led - of course - by Cecilia Bartoli's coloratura, more brilliant than ever.
Brilliant's breezy survey of Rossini's one-act operas is assembled from five different recordings originally released on the Claves label in the early '90s. All were well received in their original form, and since all five were conducted by the veteran Marcello Viotti in similar-enough-for-non-audiophile acoustics, they make a convincing box set, and an attractive buy for those looking for a lighthearted Rossini infusion. The packaging is minimal, and the included libretti are in Italian only, so if you're counting on a translation you'll have to find it somewhere else. Viotti's work is exemplary and idiomatic throughout, always putting Rossini's most tuneful and lighthearted foot forward, while never forgetting that every good comedy has real moments of pathos. The overtures all seem a bit under tempo, and could use an extra shot of fun, but they are still upbeat enough to elicit a smile. The casts are uniformly excellent, mostly populated with journeyman Rossinians with fresh, if not always head turning, voices and good character. But each opera has at least one higher profile name, whose charisma adds just enough spice to the mix to elevate the entire collection above the competition: Ramón Vargas, Maria Bayo, and the accomplished buffo Bruno Pratico are exceptionally good.(Allen Schrott)
A Verdi Requiem with a dream line-up of soloists and the forces of La Scala, Milan, directed by one of the greatest maestros of our time. Preceding acclaimed performances at the Lucerne and Salzburg Festivals, Barenboim and his magnificent partners recorded this masterpiece around a live performance at La Scala, Milan, in 2012. This marks the first audio recording by Barenboim in his role as La Scala’s Music Director.