Savall 28

Jordi Savall & Hespèrion XX - Folias & Canarios (1994) {Astrée E 8516}

Jordi Savall & Hespèrion XX - Folias & Canarios (1994) {Astrée E 8516}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 247 Mb | MP3 @320 -> 132 Mb | Artwork | 5% repair rar
© 1994 Auvidis / Astrée | E 8516
Classical / Renaissance / Baroque

Savall and Hesperion XXI often return to the same material, almost obsessively; yet this repertory - the interface of early Iberian art music and the traditional - sustains endless re-visiting and re-interpretation; there can never be one definitive interpretation of this endlessly rewarding music, as Renaissance and Baroque composers knew - producing as they did endless variations on traditional themes which had woven their way from the popular sphere to the realm of 'art' music. Some of these bass melodies are presented here - the 'Follia' and 'Canaries' -and it is wonderful that Savall has the artistic freedom to perform versions of these again and again on his own label, Alia Vox.
Jordi Savall & Le Concert Des Nations - Les Grandes Eaux Musicales De Versailles (2005) {Alia Vox AV9842}

Jordi Savall & Le Concert Des Nations - Les Grandes Eaux Musicales De Versailles (2005) {Alia Vox AV9842}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 428 Mb | MP3 @320 -> 182 Mb
Full Artwork @ 300 dpi (jpg) -> 43 Mb | 5% repair rar
© 2005 Alia Vox | AV 9842
Classical / Baroque

Each year the magical setting of the gardens of the Castle of Versailles (one of the most visited sites in France and, indeed, Europe) are the setting for a fairy-tale fountain display. Devised during the reign of Louis XIV, this impressive spectacle set to music reflected the power and the majesty of the King himself. This year, the musical programme has been entrusted to Jordi Savall, who has selected some of the finest treasures from the Alia Vox catalogue. This is a landmark album, a unique selection performed by the leading specialists in the repertoire, those same artists who popularised this music and contributed to the success that it enjoys today.
Le Concert des Nations, Jordi Savall - J.S. Bach: Musikalisches Opfer (2001) (Repost)

Le Concert des Nations, Jordi Savall - J.S. Bach: Musikalisches Opfer (2001)
EAC | FLAC (image+.cue, log) | Covers Included | 71:57 | 480 MB
Genre: Classical | Label: Alia Vox | Catalog: AV 9817

This interpretation is a perfect match to Savall's equally beautiful Art of the Fugue. Here you find even more variety in the blend of instruments. I am not going to have only one version of this music and my first recommendation is Münchinger's more emotional recording on Decca. When it comes to colourful instrumentation, however, Savall is the winner, and the direction & playing needs no justification, it is simply wonderful, even if I doubt this folk music style reflects the spirit of the baroque era.
Jordi Savall & Hesperion XX - Elizabethan Consort Music, 1558 - 1603 (1998) {Alia Vox AV 9804}

Jordi Savall & Hesperion XX - Elizabethan Consort Music, 1558 - 1603 (1998) {Alia Vox AV 9804}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 343 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 600 dpi (jpg) -> 158 Mb | 5% repair rar
© 1998 Alia Vox | AV 9804
Classical / Renaissance / Baroque / Chamber Music

Although the first full consort of viols did not arrive in England until 1540, there were actually several intriguing examples of what are now called "consort" music from before that time. Of course, the homogenous viol consort became supreme, and the present program (also featuring some 2-lute arrangements) focuses on the first part of that repertory. This developed at Elizabeth's court in the 1570s & 1580s, among professional musicians, but based on relatively restrictive models. Some pieces in the present program are composed freely, heralding the next step in consort development which, along with the small output of Byrd, allowed the English consort idiom to fully flower. Of course that was followed closely by the even larger and more famous repertory of consort music by composers such as Gibbons which was eventually geared more toward amateur players.
Jordi Savall & Le Concert des Nations - Haydn - Les sept dernieres paroles de notre Redempteur sur la Croix (1991) {ES 9935}

Jordi Savall & Le Concert des Nations - Haydn - Les sept dernières paroles de notre Rédempteur sur la Croix (1991) {Astrée ES 9935 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 306 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 132 Mb | 5% repair rar
© 1991, 1999 Astrée / Naïve | ES 9935
Classical / Viennese School / Sacred

In the semi-darkness within a grotto beneath the church of Santo Rosario in Cadiz, the bishop pronounced one of the seven Last Words of Christ, then, during the ensuing silence, the orchestra played… Commissioned from Haydn in 1786, these seven mystical sonatas, with their sombre melody, take their inspiration from the rhythm of each of the seven Words. Preceded by a noble Prelude and followed by an impressive Terremoto (Earthquake), there have been various versions (piano, string quartet, vocal), but here they are presented in the original version and with all the glowing colours of the Concert des Nations.
Jordi Savall & Hesperion XX - Music For The Spanish Kings (2001) {2CD Set Virgin 7243 5 61875 2 8 rec 1983}

Jordi Savall & Hesperion XX - Music For The Spanish Kings (2001) {2CD Set Virgin 7243 5 61875 2 8 rec 1983}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 460 Mb | MP3 @320 -> 238 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1983, 2001 Virgin / EMI | 7243 5 61875 2 8
Classical / Renaissance / 15th & 16th Century Spanish Music

Like the Renaissance itself, Music for the Spanish Kings begins with a strutting fanfare and ends with a melancholic sigh. Attaining his usual high standards, Jordi Savall has fashioned a poignant and varied musical portrait of the century encompassing the reigns of three Spanish kings: Alphonso I (1442-58), Ferdinand I (1458-94), and Charles V (1516-56). Montserrat Figueras' rich mezzo-soprano voice carries over half the pieces on the first disc. Her stunning vibrato imparts a troupadour's sadness to the cancions.
Jordi Savall - The Routes of Slavery 1444-1888 (2017) [Official Digital Download 24/96]

Jordi Savall - The Routes of Slavery 1444-1888 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 127:10 minutes | 2.39 GB
Studio Master, Official Digital Download | Artwork: Front Cover

A homage to the memory of victims of the slave trade.
This new multicultural project from Jordi Savall and his musicians on The Routes of Slavery (1444-1888) marks a world first in the history of music and of the three continents involved in the trade in African slaves and their exploitation in the New World, which are brought together through the early music of the colonial period, the musical traditions of Mali and the oral traditions of the descendants of slaves in Madagascar, Brazil, Colombia and Mexico.
Montserrat Figueras, La Capella Reial De Catalunya, Hesperion XXI, Jordi Savall - Metamorphoses Fidei (2006)

Metamorphoses Fidei (Metamorfosis De La Fe - Métamorphoses De La Foi) (2006)
Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XXI

EAC | FLAC | Tracks (Cue&Log) ~ 322 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
Classical, Renaissance, Vocal, Choral | Label: Alia Vox | # AV 9849 | 01:12:14

This disc of Iberian and Latin American Renaissance music is a reissue cleverly disguised as a new release. It compiles music from several recordings by Catalonian visionary Jordi Savall, his luminous-voiced collaborator Montserrat Figueras, and his Hesperion XXI and Capella Reial de Catalunya ensembles, dressing them up with a new set of rather philosophical booklet notes on themes of change, of intercultural tolerance, and of the evolving nature of Christianity in the Iberian realm and in New Spain. Some might call this a cynical ploy, but actually Savall has always been moving in a circle, so to speak, spiraling inward toward a deeper musical understanding of the historical themes touched on here: the lingering effects of the legacy of medieval Iberia and its "mestissage" or mixture of cultures, the reign of Holy Roman Emperor Charles (Carlos) V (did you know that he was both the first monarch to be called "His Majesty" and the first to be honored with the claim that the "sun never set" on his empire?), and the relationships between cultivated and popular styles, both in Iberia and the New World.
Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}

Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 412 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 300 dpi (jpg) -> 76 Mb | 5% repair rar
© 1993, 2008 Alia Vox | AVSA 9860
Classical / Baroque / Orchestral

This is a reissue of a recording from 1993 (re-released a few years ago and deleted in 2003), recently remastered for SACD, and it really impresses with a renewed presence and impact, even on standard CD playback. As I said in my original review, Savall's reading "comes as close as these things can to placing us in the best seat in the house and treats us to a rare experience: the sensation of believing we're hearing a ruggedly familiar piece for the first time. Literally bursting with energy, scintillating strings, blazing horns, and incisive winds, and never boring even for one second, these performances give you Handel at his most exciting." If you have the earlier release, you probably don't need this one–unless you now own an SACD system–but it does deserve a place in every Handel collection, not only for the unsurpassed performances, but also for the effect of Savall's several decidedly "non-standard" tempos(!), and of course for the phenomenal sound, which now must have reached its ultimate realism in this format.
Jordi Savall - Anthony Holborne - The Teares of the Muses, 1599 - Elizabethan Consort Music, Vol. II (2000) {Alia Vox AV9813}

Jordi Savall - Anthony Holborne - The Teares of the Muses, 1599 - Elizabethan Consort Music, Vol. II (2000) {Alia Vox AV9813}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 338 Mb | MP3 @320 -> 158 Mb
Artwork @ 600 dpi (jpg) -> 19 Mb | 5% repair rar
© 2000 Alia Vox | AV 9813
Classical / Renaissance / Chamber Music

This release is titled as Elizebathan Consort Music, Vol II and we have already savoured the flavours of that previously immensely successful release which reads like a roll-call from the 'greats' of English 16th century music. This time Jordi Savall and his splendid Hesperion XXI have devoted a whole CD to the talents of Anthony Holborne, a rather obscure figure but one who evidently was held in great esteem in those days.