Satie

Dan Willis and Velvet Gentlemen - The Satie Project (2010) {Daywood Drive DDRLP1001 rec 2007}

Dan Willis and Velvet Gentlemen - The Satie Project (2010) {Daywood Drive DDRLP1001 rec 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 376 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 2007, 2010 Daywood Drive Records | DDRLP 1001
Jazz / Modern Jazz / Third Stream

Erik Satie's music is timeless and beautiful, but can it stand up to interpretation by downtown New York jazzbos? In the hands of Dan Willis & Velvet Gentlemen the answer is a resounding "YES!" Willis' arrangements are as brilliant as they are varied. There are some straightforward readings (as on most of the Nocturnes) right alongside some pretty inventive and even daring ones. Second Gymnopedie starts as an accordion-sax-drums trio, then slides almost imperceptibly to a guitar-trumpet-drums trio. John Hollenbeck's alway engaging drumwork ties it all together, but the really amazing thing is how much the tune now resembles Miles Davis' "All Blues!"
Pascal Roge - Crystal Dream: Erik Satie & Takashi Yoshimatsu Piano Works (2009) [Re-Up]

Pascal Rogé - Crystal Dream: Erik Satie & Takashi Yoshimatsu Piano Works (2009)
EAC | FLAC | Image (Cue&Log) ~ 248 Mb | Mp3 (CBR320) ~ 205 Mb | Scans included
Genre: Classical | Label: Triton/Octavia Records Inc. | # OVCT-00052 | 01:14:49

Japanese label Triton has released a Pascal Rogé album with a rather remarkable program; Crystal Dream features the eminent French pianist in a program that interweaves short piano pieces by Erik Satie with others written by contemporary Japanese composer Takashi Yoshimatsu, mostly pieces drawn from his Pleiades Dances. Both composers employ relatively simple melodic concepts harmonized with elegant, though elemental, kinds of accompaniments, so perhaps the combination makes sense. On the other hand, Satie never lived into the age of rock-based pop music, his engagement with the popular consisting mainly of French music hall tunes, and later in life, a sort of half-understood perception of ragtime rhythm. Yoshimatsu, however, would not be Yoshimatsu if it weren't for his strong connection to pop, though admittedly in Satie's case the pop group Blood, Sweat & Tears' adaptation of his Gymnopédie No. 1 once earned Satie a Grammy-winning single. Either way, one might wonder "how does this combination-slash-conversation work?"
Morton Feldman, Erik Satie, John Cage - Rothko Chapel (2015) {ECM New Series 2378}

Morton Feldman, Erik Satie, John Cage - Rothko Chapel (2015) {ECM New Series 2378}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 162 Mb
Full Artwork @ 300 dpi (png) -> 130 Mb | 5% repair rar
© 2015 ECM Records | ECM New Series 2378
Classical / Avant-Garde / Chamber Music

This is a marvelous release, equally perfect in conception, execution, and engineering. The program locates the intellectual origins of the American avant-garde composers Morton Feldman and John Cage not in postwar European developments, but in the music of Erik Satie, who with each decade seems a more pioneering figure. Feldman and Cage here seem not modernists, but postmodernists. Front and center at the beginning is Feldman's masterpiece Rothko Chapel (1967), a chamber-ensemble-and-chorus evocation of the Houston, Texas, chapel adorned with paintings by, and partly designed by, the Abstract Expressionist painter Mark Rothko.
Steve Hackett ‎– Sketches Of Satie (2005) Camino Records‎/CAMLP 20 - HU Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

John Hackett & Steve Hackett ‎– Sketches Of Satie
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Camino Records ‎/ CAMLP 20 | Release: 2005 | Genre: Classical

As you can see the musical legacy of impressionists musicians, profoundly influenced contemporary music today.
Yesterday Claude Debussy and today Erik Satie. On this occasion played on flute and classical guitar, by brothers John and Steve Hackett.

Olga Scheps - Satie (2016) [Official Digital Download 24/96]  Vinyl & HR

Posted by HDV at May 30, 2016
Olga Scheps - Satie (2016) [Official Digital Download 24/96]

Olga Scheps - Satie (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 63:03 minutes | 916 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

May 17th 2016 sees Erik Satie's 150th anniversary and ECHO-Klassik Award winning pianist Olga Scheps presents the only new studio recording of his most beautiful piano solo works for the Satie celebrations 2016.

Erik Satie: Music, Art and Literature  eBooks & eLearning

Posted by arundhati at Jan. 8, 2015
Erik Satie: Music, Art and Literature

Caroline Potter, Pietro Dossena, "Erik Satie: Music, Art and Literature"
2013 | ISBN-10: 1409434214 | 347 pages | PDF | 4 MB
Erik Satie - Michael Gees - ImproviSatie (2011) {Hybrid-SACD // ISO & HiRes FLAC}

Erik Satie - Michael Gees - ImproviSatie
SACD ISO: 4,09 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 1,23 GB | Full Artwork | 5% Rec. Info
Label/Cat#: Channel Classics # CC72512 | Country/Year: Europe 2011
Genre: Classical | Style: Romantic, Contemporary

Pianist and composer and improviser Michael Gees is best known for his collaborations with the internationally-renowned tenor Christoph Prégardien. On this new Hybrid SACD, he brings his extraordinary skill as an improviser to the piano music of the maverick early 20th-century French composer Erik Satie…
Alexei Lubimov, Slava Poprugin - Stravinsky / Satie: Paris Joyeux & Triste - Piano Duets (2015)

Alexei Lubimov, Slava Poprugin - Stravinsky / Satie: Paris Joyeux & Triste - Piano Duets (2015)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 77:29 | 246 MB
Genre: Classical | Label: Alpha | Catalog: Alpha 230

For this Alpha-Classics album of modernist music arranged for two pianos, Alexei Lubimov and Slava Poprugin play four essential works that yield some surprises in their keyboard versions. Three of the pieces are transcriptions of instrumental music, specifically Igor Stravinsky's arrangement of his Concerto in E flat major, "Dumbarton Oaks," John Cage's reduction of Erik Satie's Socrate, and Darius Milhaud's four-hand transcription of Satie's Cinéma (composed as a soundtrack for the short Dadaist film Entr'acte, used in the ballet Relâche), with Stravinsky's Concerto for two pianos solo performed as it was originally written.

Kirk Knuffke & Jesse Stacken - Satie (2016)  Music

Posted by mark70 at Oct. 31, 2016
Kirk Knuffke & Jesse Stacken - Satie (2016)

Kirk Knuffke & Jesse Stacken - Satie (2016)
MP3 320 kbps CBR | 67:26 min | 155 MB
Genre: Jazz | Label: SteepleChase

N.Y.C.-based cornetist Kirk Knuffke is an adventurous, forward-thinking artist with a bent toward avant-garde improvisation and modern creative jazz. A native of Colorado, Knuffke studied with trumpeter Ron Miles and pianist Art Lande before relocating to New York City in 2005. Since that time, he has earned a reputation as both an in-demand sideman and bandleader, having performed with such artists as Roswell Rudd, William Parker, Uri Caine, Myra Melford, John Zorn, Dave Douglas, Billy Hart, Steven Bernstein, Jon Irabagon, and many others.

Olga Scheps - Erik Satie: Piano Music (2016)  Music

Posted by Designol at Aug. 9, 2016
Olga Scheps - Erik Satie: Piano Music (2016)

Olga Scheps - Erik Satie: Piano Music (2016)
EAC | FLAC | Image (Cue&Log) ~ 187 Mb (incl 5%) | Scans included | Time: 01:04:24
Genre: Classical | Label: Sony/RCA Red Label | # 88985305402

May 17th sees Erik Satie's 150th anniversary and ECHO-Klassik Award winning pianist Olga Scheps presents the only new studio recording of his most beautiful piano solo works for the Satie celebrations 2016. Erik Satie is among the most popular composers worldwide, his most famous piano pieces such as „Gymnopédie No. 1” or “Je te veux” are instantly recognisable, having be used constantly in motion picture soundtracks and TV ads. As a special Bonus Olga Scheps recorded “Gentle Threat” by Chilly Gonzales, whom she frequently works together with on stage. Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique.