On this disc, Jean Guillou teams up with Edo DeWaart and the San Francisco Symphony for a lush performance of Camille Saint-Saens Symphony No. 3, popularly known as the Organ Symphony. This is a lush performance of the Organ Symphony with spot-on tempi, great orchestral balance, and unsurpassed balance between organ and orchestra. This symphony has one long melodic line after another, and DeWaart keeps a long view that prevents any sense of meandering. The organ is stunningly recorded. Brass blaze with glory. Strings are lush. Timpani are extremely well-defined. The clarity of the recording provides an excellent window into finer details. It is difficult to imagine how anything could have been improved upon. The disc is filled out with a strong performance of Widor's Allegro from his Symphony No. 6. This account of the Organ Symphony has everything going for it. There are no obvious weaknesses. If you have excellent subwoofers, they will get the workout of their life. Very Highly Recommended!
This is another "big hall" recording of Saint-Saëns' Organ Symphony that attempts to capture all the tremendous sonic energy of the music in one acoustic. The Salle Wagram has sufficient reverberation to accomplish this task, but it comes at a price.
For years Philips has witlessly reissued, over and over, Edo de Waart's not particularly spectacular Rotterdam recording of Saint-Saëns' "Organ" Symphony, letting this superb version, one of the great modern recordings of the piece, languish out of print. If you missed it during its 15 minutes of availability back in 1985, here's your chance to make amends…. Haitink's Bizet Symphony always has been a reference recording, distinguished by its stunning playing (marvelous oboe solo in the second movement) and unfailing elegance of phrasing. Indeed, the approach is quite similar to de Waart's
Three of Szymanowski’s most important works show Rattle’s ability to energise music in which he believes. Sensuality and cogency blend in refined sound.
Sibelius's Symphony No.3 was composed in 1907. It is the link between the romantic intensity of his first two symphonies and the more cold complexity of his later symphonies. Symphony No.7 was completed in 1924 and is notable for having only one movement. The Swan of Tuonela is a tone poem based on the Kalevala epic of Finnish mythology. The Leningrad Philharmonic Orchestra and Yevgeny Mravinsky pair these with Debussy's Nocturnes Nos.1 & 2.
Precocious as a child, Camille Saint-Saëns was once known as the French Mendelssohn. The remarkably assured First Symphony, completed at the age of 17, was praised by Berlioz and Gounod at its first performance. The elegantly crafted Second Symphony defies convention not least by basing the first movement on a fugue, while the symphonic poem Phaéton skilfully brings this Greek mythological drama to life with stampeding horses, thunderbolts and a moving apotheosis. This is Volume 1 of 3 devoted to the five Saint-Saëns Symphonies.
Emerging from a dark depression, Beethoven chose art rather than death, thus embracing a notion of destiny and heroism which links him to heroes of the past - and of his present.The Eroica Symphony, dedicated initially to Napoleon, and ultimately 'to the memory of a great man', was to prompt contemporary commentators to seek out interpretations in the Iliad.