Sacd Burner

The Police - SACD Reissue Collection (1978-1985) [Remasters 2003] PS3 ISO + Hi-Res FLAC / RE-UP

The Police - SACD Reissue Collection (1978-1985) [Remasters 2003]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 8,67 GB
FLAC (tracks) 24 bit/88,2 kHz | 2.0 Stereo | 347:29 minutes | Scans included | 7,38 GB
Includes 6 albums (5 Studio + 1 Live) | Features 2003 Remasters

The Police were an English rock band formed in London in 1977. For the vast majority of their history, the band consisted of Sting (lead vocals, bass), Andy Summers (guitar) and Stewart Copeland (drums). The Police became globally popular in the late 1970s and are generally regarded as one of the first New Wave groups to achieve mainstream success, playing a style of rock that was influenced by punk, reggae, and jazz.
Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No.8 (2013) MCH SACD ISO + Hi-Res FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No. 8 (2013)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 80:05 minutes | Digital Booklet | 3,88 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,44 GB

Mariss Jansons's interpretation of Mahler's Symphony No. 8 is yet another landmark for the Royal Concertgebouw Orchestra, performed here with a star-studded cast. This recording is part of the orchestra's full Mahler cycle presented from 2009 to 2011 to celebrate the composer's 150th birthday and 100th anniversary of his death.
Carol Kidd - Nice Work (1987) [Reissue 2004] MCH SACD ISO + Hi-Res FLAC

Carol Kidd - Nice Work (1987) [Reissue 2004]
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 37:51 minutes | Front/Rear Covers | 2,25 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/88,2 kHz | 37:48 | Front/Rear Covers | 780 MB
Features Stereo & Multichannel Surround Sound | Linn Records # AKD 006

Carol Kidd is one of Britain's best loved jazz singers, and one of her most respected ambassadors in the field worldwide. She has received favourable comparisons with Ella Fitzgerald and Peggy Lee and has had continued praise from modern and traditional performers. These 1987 recordings, are typical of her work, features a spectrum of standards from the Great American Songbook interpreted by a legendary UK singer.
Steely Dan - Aja (1977) [Japanese Limited SHM-SACD 2010] PS3 ISO + Hi-Res FLAC / RE-UP

Steely Dan - Aja (1977) [Japanese Limited SHM-SACD 2010 # UIGY-9026]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:40 minutes | Scans included | 1,15 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 847 MB
Steely Dan - Gaucho (1980) [Japanese Limited SHM-SACD 2010] PS3 ISO + Hi-Res FLAC / RE-UP

Steely Dan - Gaucho (1980) [Japanese Limited SHM-SACD 2010 # UIGY-9039]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 37:43 minutes | Scans included | 1,07 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 817 MB

Features the 2010 DSD mastering based on Japanese original analog tape. Reissue features the high-fidelity SHM-SACD format. DSD Transferred by Manabu Matsumura.
Barb Jungr - Chanson: The Space In Between (2000) [Reissue 2001] SACD ISO + Hi-Res FLAC

Barb Jungr - Chanson: The Space In Between (2000) [Reissue 2001]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 55:40 minutes | Front/Rear Covers | 1,58 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,07 GB

Barb Jungr's original take on the songs of Jacques Brel marked her Linn debut. Barb Jungr opted to use specially commissioned translations by Des de Moor and Robb Johnson for her English language renditions; the songs losing nothing in their careful translation whilst allowing Barb to fully explore and explain the emotions within the songs. Chanson: The Space In Between saw Barb turn back to her European roots which had previously been overshadowed in performance by American genres such as blues, gospel and jazz.
Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No. 6 + Henze: Sebastian im Traum (2006) MCH SACD ISO + FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Mahler: Symphony No.6 / Henze: Sebastian im Traum (2006)
SACD Rip | 2x SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 98:11 minutes | Digital Booklet | 5,6 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,87 GB

Mariss Jansons joins one of the greatest Mahler traditions in the world with his first album leading the Royal Concertgebouw Orchestra on a Mahler symphony. For this 2005 live recording, Jansons and the RCO provide a superbly impressive performance of Mahler’s Sixth Symphony, one of the greatest and most dramatic of Mahler’s works. The programme also includes the world premiere of Hans Werner Henze’s Sebastian im Traum.
Palladians - The Devil's Trill: Sonatas by Giuseppe Tartini (2008) MCH SACD ISO + Hi-Res FLAC

Palladians - The Devil's Trill and Other Works by Tartini and Veracini (2008)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 61:34 minutes | Digital Booklet | 3,61 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,21 GB
Features Stereo & Multichannel Surround Sound | Linn Records # CKD 292

It appears that, with Linn's The Devil's Trill, the former Palladian Ensemble shortened its name to just Palladians. With the departure of longtime recorder soloist Pamela Thorby, the quartet was suddenly re-designated a trio, but The Devil's Trill finds it a quartet once again with the addition of harpsichordist Silas Standage. The new name, according to the group, is designed "[to allow] more artistic freedom for players to come and go as required," and that's certainly fair, although one might wonder what effect this might have on their usual, seamless ensemble blend. To judge from The Devil's Trill, not much, so far. The core group of Rodolfo Richter, Susanne Heinrich, and William Carter hold together like glue, and the addition of Standage discreetly adds a level of color to what was already well put in place with the Palladian Ensemble of old.

Mike Oldfield - Tubular Bells (1973) {CD + Hybrid SACD}  Music

Posted by popsakov at May 17, 2018
Mike Oldfield - Tubular Bells (1973) {CD + Hybrid SACD}

Mike Oldfield - Tubular Bells (1973) {CD + Hybrid SACD}
EAC Rip | FLAC (Img) + Cue + Log ~ 523 Mb | MP3 CBR320 ~ 269 Mb
Scans Included (JPG) | RAR 5% Recovery
Art Rock / Progressive Rock / Progressive Electronic / Experimental
Virgin # CDV2001| 7243 8 50733 2 8 / SACDV 2001

Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears. Throughout the album, the tempos range from soft to intense to utterly surprising, making for some excellent musical culminations…

Hue and Cry - Next Move (1999) SACD ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at May 16, 2018
Hue and Cry - Next Move (1999) SACD ISO + Hi-Res FLAC

Hue & Cry - Next Move (1999)
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 51:34 minutes | Front/Rear Covers | 1,54 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,12 GB

Next Move is the 11th album in a career that took off after Hue and Cry, the stage name of brothers Pat Kane and Greg Kane, opened for Madonna in 1986. Since then, they have done quite well, sitting at the U.K. Top of the Charts on more than one occasion. The album combines elements of jazz, rock, and pop. To better assess the performance, the album should be broken up into two categories, the music and the words, which rarely come together here, at least in the way generally represented in jazz vocalizing.