The 2014 compilation Vibrate: The Best of Rufus Wainwright brings together many of the singer/songwriter's best cuts, as chosen by him, from his various studio albums. Included here are songs off his 1998 self-titled debut all the way through to his 2012 album, Out of the Game. Also included are several cuts Wainwright recorded for the 2001 soundtrack to Shrek. That said, missing here are cuts off his intimate 2007 album All Days Are Nights: Songs for Lulu, as are any tracks from his several concert albums, most notably his 2007 Judy Garland-themed performance Rufus Does Judy at Carnegie Hall. Perhaps Wainwright viewed All Days Are Nights, which was recorded during his mother Kate McGarrigle's illness with cancer, as too much of a personal statement to single out any of its tracks for inclusion here.
RZ's second album, released on the now-legendary Pilz label, was recorded in Dieter Dierks's studios. Two personnel changes: the bassist (departing Lieblang was the lyric writer in the first line-up, and he contributes to three songs without playing) and the addition of a second guitarist Kittel…
Features 24 bit remastering and comes with a mini-description. Although Rufus Harley also plays flute, soprano, and tenor on this record, it is for his bagpipe playing that the out-of-print album is most notable. The bagpipes tend to be a drone instrument and Harley cannot surmount the problem of cutting off notes quickly, but he plays his main instrument as well as anyone and is thus far the only jazz bagpipe player. With the assistance of pianist Oliver Collins, bassist James Glenn, drummer Billy Abner, and Robert Gossett on conga, Harley's versions of "Feeling Good" and "Scotch and Soul" are quite unique.
Essential: a masterpiece of progressive rock music
One of the legendary rare album from this band (hailing from Aachen next to Belgium and The Netherlands), this was released as a private pressing and an original pressing goes for fortunes. This high cost is probably not increasing of late as the re-formed group has made a new pressing of both the vinyl and the CD.
It’s hard to imagine how someone whose last album was an opera could out-do themselves, but Rufus Wainwright has achieved just that with Take All My Loves: 9 Shakespeare Sonnets, to be released via Deutsche Gramophon on April 22, 400 years after William Shakespeare’s death.
Rufus is the eponymous debut album by American R&B and funk band Rufus, released on the ABC Records label in 1973 fronted by singers Chaka Khan and Ron Stockert. The album is notable for an upbeat rock/soul sound that would be replaced by a more heavy direction into funk and jazzy-styled recordings.
In the early '70s, Rufus was one of the most popular and interesting bands in R&B and rock. Of course, the reason was Chaka Khan, who possessed an amazing voice that was well versed in rock and jazz every bit as much as R&B. Their debut went nowhere, Rags to Rufus offered two instant classics, and Rufusized displayed their skill as album artists. Truth be told, this version of Rufus was nearly a brand-new band, as three members exited and guitarist Tony Maiden and bassist Bobby Watson joined up. The result was a funkier and more talented band who would give Khan the needed earthy and ethereal mix that would make her soar.
is the tenth studio album by funk band (billed as ), released on the label in 1981. Camouflage peaked at #15 on chart and stalled at #98 on . The album includes the singles ( 8, #91) and ( #66, #56).
As Khan released her first solo album, I'm Every Woman, the band released 1978's Numbers, sans Khan, and it went absolutely nowhere. Masterjam finds them back together, renamed Rufus and Chaka, with Quincy Jones producing the effort. Khan had worked with Jones on his 1978 album, Sounds…And Stuff Like That. The most striking thing about Masterjam is that is doesn't sound like a trademark Rufus effort. Jones' production style is so strong that the band's individual sound is all but lost.