At the heart of Courage: The Atlantic Recordings (2006) are the four out-of-print LPs that multi-instrumentalist Rufus Harley (bagpipes/flute/sax) cut for the label during the mid- to late 1960s. Also featured are a previously unissued cover of "Where Have All the Flowers Gone" as well as "Pipin' the Blues," a Harley/Stitt duet from Sonny Stitt's Deuces Wild (1967) platter. Although criminally dismissed by many as a novelty, Harley successfully integrated the seemingly limited B flat and F drone of the bagpipes into the realm of (concurrently) modern jazz. Harley's early life was a struggle with poverty, during which his alcoholic mother would often pawn his treasured C-melody sax for liquor money. Proving his sincerity to the music, Harley without fail would retrieve his instrument via odd jobs. However, his focus changed on November 25, 1963 as Harley – along with the rest of the free world – tuned in to the memorial of President John F. Kennedy. When Harley heard the pipers from the Black Watch of the Royal Highlanders Regiment during the funeral procession, the sound struck him as producing the same tonality that he had been unsuccessfully trying to coax out of his sax. It was then a matter of hooking up with Joel Dorn, a fellow Philly resident and local jazz disc jockey.
RZ's second album, released on the now-legendary Pilz label, was recorded in Dieter Dierks's studios. Two personnel changes: the bassist (departing Lieblang was the lyric writer in the first line-up, and he contributes to three songs without playing) and the addition of a second guitarist Kittel…
Essential: a masterpiece of progressive rock music
One of the legendary rare album from this band (hailing from Aachen next to Belgium and The Netherlands), this was released as a private pressing and an original pressing goes for fortunes. This high cost is probably not increasing of late as the re-formed group has made a new pressing of both the vinyl and the CD.
Rufus is the eponymous debut album by American R&B and funk band Rufus, released on the ABC Records label in 1973 fronted by singers Chaka Khan and Ron Stockert. The album is notable for an upbeat rock/soul sound that would be replaced by a more heavy direction into funk and jazzy-styled recordings.
is the tenth studio album by funk band (billed as ), released on the label in 1981. Camouflage peaked at #15 on chart and stalled at #98 on . The album includes the singles ( 8, #91) and ( #66, #56).
As Khan released her first solo album, I'm Every Woman, the band released 1978's Numbers, sans Khan, and it went absolutely nowhere. Masterjam finds them back together, renamed Rufus and Chaka, with Quincy Jones producing the effort. Khan had worked with Jones on his 1978 album, Sounds…And Stuff Like That. The most striking thing about Masterjam is that is doesn't sound like a trademark Rufus effort. Jones' production style is so strong that the band's individual sound is all but lost.
In original sleeve artwork this is a reissue of the bands debut killer album from late 69. Excellent German prog recorded live in the studio with flute, guitar keyboards etc.Largely instrumental raw edged progressive rock and a few surprises chucked in.Informative booklet and bonus tracks making up more than 70 minutes of music.
Street Player is the gold-selling sixth studio album by funk band Rufus (billed as Rufus & Chaka Khan), released on the ABC Records label in 1978. Street Player was the band's third album to top Billboard's R&B Albums chart and also reached #14 on Pop. The album includes the singles "Stay" (US R&B #3, US Pop #48) and "Blue Love" (US R&B #34).
Masterjam finds them back together, renamed Rufus and Chaka, with Quincy Jones producing the effort. Khan had worked with Jones on his 1978 album, Sounds…And Stuff Like That. The most striking thing about Masterjam is that is doesn't sound like a trademark Rufus effort. Jones' production style is so strong that the band's individual sound is all but lost. It's nothing to cry about, since Jones was at his R&B/pop peak and Rufus couldn't do it any better on their own. The album's first track is "Do What You Love What You Feel," with its subtle horn riffs arranged by Jerry Hey and vocals from guitarist Tony Maiden and Khan. On a track somewhat close to a ballad, the brilliantly arranged "Heaven Bound," Jones gets a good raw vocal from Khan. A frequent Jones collaborator, Rod Temperton, offers the title track and the even better "Live in Me." The album's only low point was a cover of Jones' own "Body Heat." On this version the pace is quickened, inexplicably turned into disco which revealed the lyrics to be paper-thin. Although Masterjam was just more of a Quincy Jones album than a Rufus effort, this ended up being one of the groups' last successful full-studio endeavors.
Chaka Khan (born Yvette Marie Stevens; March 23, 1953), frequently known as the "Queen of Funk", is a 10-time Grammy Award winning American singer-songwriter who gained fame in the 1970s as the frontwoman and focal point of the funk band Rufus. While still a member of the group in 1978, Khan embarked on a successful solo career. Her signature hits, both with Rufus and as a solo performer, include "Tell Me Something Good", "Sweet Thing" which she wrote for her then husband Richard Holland, "Ain't Nobody", "I'm Every Woman", "I Feel for You" and "Through the Fire".