When I first put this disc in the player, I wondered if I would really enjoy it. I had just listened to a performance of the Tchaikovsky played by Sviatoslav Richter accompanied by the Leningrad Philharmonic under Evgeny Mravinsky. Obviously, the first characteristic was a vast improvement in the recording quality over the mono Russian recording (Leningrad, 1957). As the new disc got underway I was very pleasantly surprised, as André Watts, although not Richter, gave a very proficient and exciting reading.
Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.
A classic collection of 11 CDs that compiles every recording that the late Arthur Rubinstein released on the RCA label from 1946-1967! Many aficionados consider these definitive performances of Chopin repertoire, produced by the legendary Grammy award winner Max Wilcox and presented in both monaural and stereo recordings.
I've been listening to Brandenburgs non-stop for the past three weeks, for some reason. I love the Ristenpart recording, and I like the Britten version even better in some ways. This Baumgartner recording has a certain elegance. The pace is a tad slower and the ambience a bit thicker. The second movement of the first Brandenburg hits that emotional place a bit better than in the Britten version. I would be hard pressed to say which I prefer overall, but on first listening I sure loved this recording.
Firma Melodiya presents recordings of the outstanding violist Mikhail Kugel. Unfortunately, this name is little known in this country and much better known in Europe where he has played concerts and given master classes for the last 20 years. However, in the beginning of his performing career in the 1970s and 1980s, he was considered one of the best Soviet violists. He shared the first prize with Hungarian violist Zoltán Tóth at the international competition in Budapest in 1975 (Yuri Bashmet won the second prize at the same competition).
Warm, lyrical, and aristocratic in his interpretations, Artur Rubinstein performed impressively into extremely old age, and he was a keyboard prodigy almost from the time he could climb onto a piano bench. He came from a mercantile rather than a musical family, but fixated on the piano as soon as he heard it. At age three he impressed Joseph Joachim, and by the age of seven he was playing Mozart, Schubert, and Mendelssohn at a charity concert in his hometown.
Bernard Haitink conducts the Royal Concertgebouw Orchestra in Brahms’s great orchestral works, including the complete symphonies. The concertos feature three great soloists: pianist Claudio Arrau, violinist Henryk Szeryng, and cellist Janos Starker. "No one, I trust, will deny that Arrau has lived with, wrestled with, and in a truly terribly way ’known’ the D minor Concerto for more years than most of us can consciously recall. Where contemporary pianists have often tended to refine or domesticate the concerto, withdrawing it from the world of heroic endeavour, Arrau has always done the reverse. No pianist, apart possibly from Serkin in his several recordings, has communicated so formidably the work’s scope: its seriousness and its anxious, tragic mood. Often Arrau makes free with the text. But the vision is huge, the technique astonishing. Haitink is a worthy accompanist."
In his lifetime, Anton Rubinstein (1829-1894) was most celebrated as a pianist and was often considered Liszt's only real rival. However, he was also an extremely productive composer, his output including eight concertos, two of which are for 'cello.
The outstanding young German pianist Joseph Moog makes his debut on ONYX with a superb disc of two great Russian piano concertos that have had very different fates. Anton Rubinstein s 4th was once one of the most famous and popular concertos in the repertoire, and many of the major virtuosos performed this work into the early years of the 20th century when the composer s other works vanished from the concert hall.