1995 compilation on Virgin featuring 20 hits from 1972-1994 by Ferry as both a solo artist & as leader of Roxy Music. Includes 'More Than This', 'Love Is The Drug', 'Slave To Love', 'Dance Away', 'Avalon', 'I Put A Spell On You', 'Jealous Guy', 'Is Your Love Strong Enough?', 'Kiss And Tell', 'Same Old Scene', 'Your Painted Smile', 'Virginia Plain', etc.
Album-rock artists like Roxy Music always make a difficult subject for comprehensive, multi-disc box sets. Frequently, their albums were designed as a cohesive whole and the idea of individual singles never really entered the picture at all. Roxy Music was slightly different than the average art/prog-rock band – not only did they make albums, they also made singles. And that is one of the reasons why the four-disc set The Thrill of It All is successful. Roxy's songs stand as individual works, and they make sense outside of their original context, even if they make more sense within their original context.
The Complete Studio Recordings 1972-1982, is the first complete Roxy Music box set to be released on CD. It includes each of the eight ‘Roxy Music’ Studio albums: Roxy Music, For Your Pleasure, Stranded, Country Life, Siren, Manifesto, Flesh And Blood and Avalon. Each of the studio albums have been taken back to their original form. New 2012 flat transfers from the original analogue master tapes ensure the audio sounds truer to its original LP sound. The box set is completed with two bonus discs of singles, B-sides and alternative mixes.
Roxy Music’s self-titled debut was originally released in 1972 to critical acclaim and exemplified the band’s penchant for glamour, both in the lyrics and with the album cover of model Kari-Ann Muller, kickstarting a tradition of iconic album covers featuring female models. "The album is really kind of a tracer as to where we could go," explains Ferry. "There are lots of different directions there, and deliberately so, because we never really did want to have one recognisable sound. Being elusive is one of the things we quite like, and being as varied as possible."
Lou Reed was touring in support of Rock and Roll Heart, when he rolled into L.A.'s Roxy and played a set that was recorded for later radio broadcast. Reed and his road band (which included Michael Fonfara on keys and Marty Fogel on sax) sound like they're having a fine time, and with free jazz legend Don Cherry sitting in, the band's frequent jams give this an exploratory feel that sets it apart from some of Reed's other live sets of the period.
The most versatile of the R&B-steeped bar bands that played the club circuit in the Pacific Northwest in the early '60s, Paul Revere & the Raiders at their best somehow managed to merge Spike Jones, King Curtis, James Brown, the Byrds, the Beatles, the Beach Boys, the Kinks, and the Rolling Stones into one rollicking pop pastiche. They also had energy, drive, and ambition, and they knew how – and were willing – to play the game. This three-disc, 66-track set collects all of the singles, both A- and B-sides, the group released for Columbia Records between 1963 and 1975.
Manifesto is the sixth studio album by Roxy Music, and was released in March 1979 by E.G. in the UK, Polydor in Europe and by Atco Records in the US. Following an almost four-year recording hiatus, Manifesto was Roxy Music's first studio album since 1975's Siren. The first single from Manifesto was "Trash", which barely made the UK top 40. However, the second single, the disco-tinged "Dance Away", returned the band to the top 3, beaten to no.1 for two weeks from 26 May 1979 by Blondie's "Sunday Girl". Regardless, it became one of the band's biggest hits and was also the 9th best-selling single in the UK in 1979…