Manifesto is the sixth studio album by Roxy Music, and was released in March 1979 by E.G. in the UK, Polydor in Europe and by Atco Records in the US. Following an almost four-year recording hiatus, Manifesto was Roxy Music's first studio album since 1975's Siren. The first single from Manifesto was "Trash", which barely made the UK top 40. However, the second single, the disco-tinged "Dance Away", returned the band to the top 3, beaten to no.1 for two weeks from 26 May 1979 by Blondie's "Sunday Girl". Regardless, it became one of the band's biggest hits and was also the 9th best-selling single in the UK in 1979…
The Complete Studio Recordings 1972-1982, is the first complete Roxy Music box set to be released on CD. It includes each of the eight ‘Roxy Music’ Studio albums: Roxy Music, For Your Pleasure, Stranded, Country Life, Siren, Manifesto, Flesh And Blood and Avalon. Each of the studio albums have been taken back to their original form. New 2012 flat transfers from the original analogue master tapes ensure the audio sounds truer to its original LP sound. The box set is completed with two bonus discs of singles, B-sides and alternative mixes.
5 CD set containing a quintet of albums from the groundbreaking British Art Rock band: Siren, Viva, Manifesto, Flesh + Blood and Heart Still Beating.
Album-rock artists like Roxy Music always make a difficult subject for comprehensive, multi-disc box sets. Frequently, their albums were designed as a cohesive whole and the idea of individual singles never really entered the picture at all. Roxy Music was slightly different than the average art/prog-rock band – not only did they make albums, they also made singles. And that is one of the reasons why the four-disc set The Thrill of It All is successful. Roxy's songs stand as individual works, and they make sense outside of their original context, even if they make more sense within their original context.
Roxy Music’s self-titled debut was originally released in 1972 to critical acclaim and exemplified the band’s penchant for glamour, both in the lyrics and with the album cover of model Kari-Ann Muller, kickstarting a tradition of iconic album covers featuring female models. "The album is really kind of a tracer as to where we could go," explains Ferry. "There are lots of different directions there, and deliberately so, because we never really did want to have one recognisable sound. Being elusive is one of the things we quite like, and being as varied as possible."